Tag: creature effects

Down & Dirty Deluxe Werewolf Costume (and a Baby Werewolf Puppet)

The folks at The Horror Dome aren’t screwing around. Not only will they apply themselves diligently to ensure that your Nightmares Come True, they will also make sure you have your Halloween 2010 werewolf costume squared away by July. That’s when you can expect to receive your Big Bad Wolf (Studio Werewolf Costume) if you order now. I’m not going to lie to you: this werewolf might want to get his bilirubin levels checked, and he definitely needs to wash his face. But for $500, this setup looks pretty awesome. Those hands look great, and it’s nice to see some werewolf feet that don’t look like they belong to a hobbit in need of a pedicure.


They also sell a baby werewolf puppet. I’m going to say that again: a baby werewolf puppet. Look at this thing. I want one so I can take it to the playground with all the other responsible parents and pretend to bottle-feed it (because let’s face it, bottle-feeding is the only option with a kid like this).

Thanks to Russell for the links!

The Design, Tech, Execution & Politics of “The Wolfman” Transformation Scenes

Trusty Werewolf News friend ArcLight sent me a link to this fascinating CGSociety feature article about all of the CG work (and politics) that went into the transformation scenes featured in “The Wolfman“. The article includes extensive comments by Rick Baker (who, as you probably know, designed the Wolfman’s look and the practical makeup effects) and Adam Valdez (the Visual Effects Supervisor at Moving Picture Company, the group that did the CG work). Here are some choice excerpts:

Drawing on his years of experience and success to create a character he had loved since he was a boy, Baker requested “a couple of weeks to do some designs, a range between man and wolf. I did a number of Photoshop images and ZBrush sculptures ranging between Del Toro and a wolf. In other words, if man was one and wolf was ten, was the Wolfman a five, or perhaps an eight? Well upon viewing my designs they said it wasn’t anywhere in that range.” Baker was asked to do additional concepts showing steps within that range to narrow down the final design. This happened repeatedly until the point where Baker told them there simply wasn’t an in-between left.

Nothing like design-by-committee to ruin a project!

[Says Baker:] “I had a great time working with the folks at Digital Domain on the CG Benjamin Button character, I would have liked to have contributed the same way on this film.” One scene that he felt could have worked particularly well using animatronics and makeup was the scene where Del Toro is strapped to a chair surrounded by doctors, since the chair offered plenty of space to hide the hardware and it would have been easy to digitally remove any visible mechanics.”

That’s probably my favourite scene in the movie, and it blows my mind to imagine how much better it might have been if Baker had been able to work his magic.

Johnston wanted to see how the transitions would look in action, so animators were given rigs that could do rough deformation and transformation work. [Says Valdez:] “In the middle of that we had to start over, because Joe wasn’t happy with what he was getting. There were a few rounds of discussion about whether or not Benicio Del Toro, who played the Lawrence aka Wolfman, should turn into something else on the way to becoming the Wolfman, so rather than traditional close-ups of bones stretching and hair sprouting he might turn into something resembling an almost fetal orc-like creature.”

I wonder if that “orc-like” concept was used for the creature that appears in some of the movie’s dream / hallucination scenes.

There’s a ton of down-and-dirty CG modeling talk near the end of the article, so if Maya and ZBrush are your thing, you might want to get a napkin ready to mop up the drool. Now stop reading this post and read the article!

Jim Bycznski’s Work in Progress: a Life-Sized “Wolfman” Display Figure

In December I got an email and some photos from Jim Bycznski, founder of what might be the coolest program to ever grace the curriculum of a high school. Jim was inspired by the (then) imminent release of The Wolfman and he and his crew began working on a life-sized display figure of the titular beast. This weekend I got a few more photos of their progress– “Legs have been molded and casted, teeth made, and the body will be fabricated soon,” Jim writes. Here are seven shots of the process. Look on this, and wonder why your high school wasn’t this cool.

If I’d had access to a program like this when I was in high school, my career path would have been very different. You can see a gallery of more BHSFX work here– there are some more werewolves, if you look closely! Thanks for sharing, Jim.

Werewolves and Vampires Duke It Out In New York Magazine – Roukas Dissects the Radness and Ramifications

Werewolf Vs. Vampire by Bryan Baugh.



This month’s New York magazine features a short article on werewolves by Jeff Vandam. While the “article” is only a page long, and while I would sooner expect The New Yorker to run a feature on Rambo, I was nevertheless happy to see some lycanthropic goodness in a mainstream magazine. Unfortunately, the article quickly becomes a classic werewolves vs. vampires retro-drama. Guess what? Count Chocula wins, and Edward Cullen wins the mark of cultural favor over David Naughton’s David Kessler and Jack Nicholson’s Will Randall. And while everyone is allowed to have a personal preference when it comes to monsters, I believe that the hairy-handed gents are made out of culturally richer and more enduring stuff than vampires are.
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Werewolf Bust by “Being Human” & “Wolfman” Effects Artist Darren Nevin

I just received an email from Darren Nevin. “I recently sculpted & cast a silicone Werewolf display bust”, Darren writes, and he wonders if I might like to share some of the photos with the people who read Werewolf News. Darren, sharing stuff like this is the reason I started Werewolf News in the first place! (more…)

The Wolf-Thing In Cirque du Freak Is Pretty Silly

I can't stop looking at that ear.

Cirque du Freak, the recently-released film starring John C. Reilly, has a wolfman in it, and it’s… well… they obviously chose to design it for the screen like that– the production values of the film are too high for this goofy-looking thing to be the result of low-budget ineptitude. Here’s a Youtube clip of the wolfman (graciously linked by Viergacht) just in case the photo above doesn’t do it for you. The question is, “why does he look like that?” The wolfman on the cover of The Vampire’s Assistant (one of the book in the series that inspired the film) looks like an actual wolfman. What you see in the film is the werewolf equivalent of a guy who wears his underpants over top of his jeans because he’s not paying attention. What do you think?

Also, while I love John C. Reilly, to me he will always be Dr. Steve Brule. For your health!

“Wolf Man” Creature Redesign, Wolf Man Vs. Werewolf + “Upcoming” Trailer

Back in May, word was going around that stuntman / second unit director Vic Armstrong was coordinating some additional beastly fight scenes for The Wolf Man. Now Mail Online’s Baz Bamigboye reports that the reason behind the additional filming may have been to introduce a new design for the titular lycanthrope. “The Wolf was on its heels and it looked daft,” says one Wolfman actor. A Universal rep had this to say (warning: PR speak in full effect): “The full articulation of the transformational lead character will be realised when the film is completed and we are excited to share his incredible look with the world in the upcoming trailer.” Bamigboye also mentions that the scenes involve a “confrontation between the Wolf Man and the Werewolf”– a choice of words with some exciting and curious implications.

So what we can take from all this is

  1. The Wolf Man’s design may be changing, possibly going from a two-legged creature to four legs. Whether Rick Baker was consulted remains to be seen (let’s hope he was).
  2. Apparently the film involves a Wolf Man and a Werewolf. The differences between the two remain unclear.
  3. An official trailer for The Wolf Man is “upcoming”. Considering the film’s November release, maybe in another month or two?

Three “13 Hrs” Werewolf Costumes Being Designed By Lifecast

It looks like the werewolves in the Tom Felton / Isabella Calthorpe film 13 Hrs. are being designed by Lifecast, a family-run special effects / lifecasting / creature costume studio just north of London. According to this post on the Lifecast site, the Lifecast crew were charged with “creating 3 werewolf costumes in 3 weeks….. from scratch”. Accompanying the post are several photos of Isabella Calthorpe sitting for her head / body cast, which Lifecast will then use to turn her into a “she wolf”. Presumably the other two werewolves mentioned are Felton and Simon McCorkindale. Hopefully we’ll see some completed werewolf effects soon– based on the other work Lifecast has done, they really know their stuff. Thanks to Dig at The Werewolf Café for the link!

Life-Size Werewolf Prop by Fantaxy

Mike of Fantaxy FX sent me a link to a YouTube video of his latest creation– a 180cm (6′) tall werewolf with articulated head and arm movements.

Pretty impressive! You can see more of Mike’s work at www.fantaxy.es, although you’ll need to be fluent in Spanish to get the most out of the site.

Vancouver Film School Graduate Wins Werewolf Makeup Prize

Vancouver Film School graduate Crissy Renaud’s werewolf placed 2nd in an international makeup competition run by Make-Up Artist Magazine in July. Crissy’s work was part of the Student Competition at IMATS, the International Make-Up Artist Trade Show, held in Pasedena, California. VFS has a short but excellent interview with Crissy, wherin she talks about her prep work, the werewolf movies that inspired her, and how she decided what sort of werewolf to create. Congratulations, Crissy!