COO MODEL’s incredible “THE WERE WOLF” is available now

The most amazing werewolf model I have ever seen finally came out of “pre-order” status and is now available for purchase.

COO MODEL’s 1/6th scale model “THE WERE WOLF” has 31 swappable parts that facilitate his transformation from “grouchy dude in hoodie” to “furious killing machine”. It can be purchased in America from BigBadToyStore for $214.99 and various international retailers for about the same price, subject to currency exchange and shipping rates. Hobby Galaxy had it too, and for $35 less, but it’s sold out at the moment.

If I hadn’t just paid for new tires and brakes on my car, this bad boy would be mine. If you pick one up, share some photos!

The person who runs Werewolf News has a little announcement

Art by Tandye

Today, March 31st, is Transgender Day of Visibility, which is why I’m happy (and nervous) to tell you that the person who runs this site is trans. I’m Angela. Hi.

I stopped going by “Andrew” on this site and elsewhere a few years ago – most people in my life know me as “Angela” or “AQ”. I never mentioned it here on Werewolf News before now because it’s not germane to the site’s content, but in light of all the recent anti-trans legislation being passed around the United States, I feel like positive visibility is more important than ever. Things are getting better around the world for LGBT folks, but there’s still a lot of work to be done.

visibility infographic update 2015

If you’re LGBTQ and struggling, you’re not alone. If you’re straight and/or cisgender and don’t really care about trans people because you “don’t know a trans person”, well now you do!

It’s nice to be out here, finally – the people I’ve met over the years that I’ve been running this site are some of the best people I know, and it’s a relief to stop maintaining any kind of separation of identity between “person who runs Werewolf News” and literally every other facet of my daily life. I’m @aquinton on Twitter if you want to say hi.

Happy Trans Day of Visibility!

The “Criminal” 10th anniversary issue features “Fang the Kung Fu Werewolf”

Here’s another entry on the list of venerable comic institutions I didn’t know about until they stuck a werewolf in it. Criminal is a comic by writer Ed Brubaker and artist Sean Phillips that explores the clichés of the crime genre through a lense of realism. This Eisner-winning series has been running since 2006, and because I’m a comics plebe, I hadn’t heard of it until friend Manny Aguilera alerted me to the upcoming 10th anniversary issue: a 64-page one-shot featuring the series’ most popular characters.

“Teeg and Tracy Lawless are our most popular characters, so I knew this Anniversary Special had to showcase their early days,” said Brubaker. “A big part of Criminal is finding new ways into noir stories, and this time we get to see it all from the point of view of a 12-year-old kid forced to help his father, who is a career thief and murderer.”

Crim_teaser_02This issue also feature a comic-within-a-comic, a “bizarre ‘70s-era KUNG FU magazine starring a werewolf.”

“Once again I get to try out a new style, after the cartooning of The Last Of The Innocent, and the sword and sorcery of last year’s Savage Sword of Criminal,” said Phillips. “This time I get to figure out how to draw a kung-fu werewolf without him looking too silly. Let’s hope I can pull it off! Even if I can’t, it’s great to be back in the Criminal universe again, it’s like we’ve never been away.”

You can pick up the 10th Anniversary Special in stores Wednesday April 13th (or you can use Diamond code NOV158430 to order it), but if you want the variant that has this incredible Fang the Kung Fu Werewolf cover, order it from your local comic store by Monday the 28th with Diamond code NOV158431. Both versions have the Fang story inside, but come on. Come on.

Then there’s the decade of Criminal to catch up on, available on Amazon and Comixology. Better get started!

The “Monster Suicide Squad” trailer is great, even if you don’t care about “Suicide Squad”

I’m not interested in the Marvel and DC film franchises, so I wasn’t moved by recent chatter about a new trailer for The Monster Squad, in which the quintessential 80’s kids-vs-monsters movie is recut cut to reference January’s trailer for DC’s Suicide Squad. Most gritty superhero reboots are, kindly stated, “not my thing”. But when enough trusted voices recommend something, who am I to turn it down?

I’m glad I got the stick out of my ass. ThatMattCaronGuy has taken something I love and made it even better by referencing something I don’t give a shit about that just isn’t for me.

From Robot 6:

This edit doesn’t simply drop in “Bohemian Rhapsody” over old movie footage, though. Oh, no: Matt Caron took what we can only presume was a long time to match shots from The Monster Squad with those from the Suicide Squad trailer. He did a bang-up job of it, too.

Here’s a side-by-side comparison to see how well Matt matched things up.

An adventure in South African horror conventions, industrial music and werewolf transformation videos

One of my favourite things about “online” is discovering new things through a series of unexpected causal connections. I recently went through one of these “one thing leads to the next” adventures. One tweet from a friend turned into multiple hours of enjoyment involving South Africa, werewolves, music and many things with ALL-CAPS names. Join me, won’t you?

HORRORFEST_V_poster_b My journey started when @Somnilux tweeted at me a promo trailer for South African HORRORFEST 2015. The trailer depicts a woman watching a mysterious VHS tape, sort of like “The Ring”, but with more immediate (and better) consequences: she turns into a werewolf. This gave me two cool werewolf-things to think about and research:

1. Check out South African HORRORFEST. I have never been (and probably won’t ever get a chance to go) to South Africa, but I know two people who live there, who might have attended the event during its 11-year run, and/or who might be going to (or submitting something) to the 2016 incarnation. I am convinced that every horror convention is a treasure trove of unique werewolf artifacts, so this bears further research.

2. Find out who did the werewolf transformation makeup work. Who’s responsible, and have they done more werewolf work? A little digging reveals that Clinton Smith & Cosmesis did the creature effects for Flamedrop Productions as part of the promo for HORRORFEST 2009. Their web site is a content-light placeholder at the moment, so not much else to find there.

Then South African pal Lew tweets that the woman in the video is the singer for TERMINATRYX, and that an expanded version of the promo was used as the music video for their song “Virus”. That puts another item on my list.

3. Watch TERMINATRYX’s “Virus” music videoTERMINATRYX is a “female-fronted Alternative band with Metal, Industrial and sometimes Gothic shades” – a descriptor that encompasses many of my musical tastes. The video for “Virus” does indeed expand on the HORRORFEST promo video, depicting the continuation of singer Sonja Ruppersberg’s transformation and the consequences it has on the people she meets. The werewolf design was great. Also, I really liked the song, and with all the running I’m doing lately I could use some new music in my library, so…

3b. Listen to more of TERMINATRYX’s music. Not yet in progress, but I’ll probably start with the self-titled 2011 album that “Virus” came from.

But wait, there’s more! The “Virus” video description text mentions anotherlonger, final version – a short film representing the conclusion of the project that started with the HORRORFEST promo, which means I need to

4. Watch MARKED, the 8-minute short film with “more special make-up FX”. I have not yet done this, but technology let me download the video for offline consumption while I’m on the train later today. I have high hopes, based on what I saw in the previous two versions.

Before I do anything else, though I have to

5. Finish this post so you too can check all this great stuff out. Done. And as I write this, guess who’s just tweeted another link at me. Is there such a thing as too much werewolf content?

Of course not.

Full Moon Features: Werewolf Woman (1976)

Forty years ago this month, a film called La lupa mannara was released in Italy. When it made it to the English-speaking world, it went out under such titles as Werewolf Woman, The Legend of the Wolf Woman, and Naked Werewolf Woman, but whichever one distributors picked, it was bound to be somewhat misleading. True, the film does open with a naked woman (played by Annik Borel) performing a ritual dance and sprouting fur over every inch of her body (except for her face, which has a bit on the bridge of the nose but that’s it) and then tearing the throat out of a guy who looks kinda like Cameron Mitchell, but the film is not about her exploits. Rather, when the werewolf woman is captured by a mob of torch-wielding villagers and tied up, presumably so she can be burned alive, that’s the cue for her modern-day descendant, Daniela Neseri (also Borel), to wake up out of a nightmare. (This is also the point where booing writer/director Rino Di Silvestro would be entirely appropriate.)

Thanks to the undisguised exposition that follows, we find out all we need to know about the unfortunate Daniela. Seems she was raped at the tender age of 13 and has been repelled by men ever since. Furthermore, she lives in the country with her father, a count (Tino Carraro), and has a sister (Dagmar Lassander) who went to America for some reason or another, got married, and has returned to Italy with her husband, who’s supposed to be the spitting image of the Cameron Mitchell-looking guy from the prologue but now he’s got some Harvey Keitel going on. Under the influence of the full moon, Daniela lures her brother-in-law outside, quickly seduces him and then tears his throat out. Next time we see her, she’s been committed to a mental institution, where she’s given shock treatments and confined to her bed as a matter of course, but she escapes when she’s untied by a nympho (who is stabbed with a pair of scissors for her troubles) and hitches a ride with a doctor (who gets her face bashed into a steering wheel, but she survives). Meanwhile, there’s an ineffectual police inspector (Frederick Stafford) wandering about being ineffective and listening to coroners say things like “The lacerations and deep wounds around her throat are almost of an animalistic origin, but it’s uncertain.” Say, does that mean it might be a lycanthrope, doc?

Anyway, Daniela’s killing spree continues when she spies on a couple making love in a barn and then, after the man has gone, kills the woman who is apparently cheating on her husband. (So now she’s making moral judgments?) Then she hitches a ride with an old lecher who tries to charm his way into her pants and when that doesn’t work announces that he’s going to rape her. Frankly, I was not sad when she tore his throat out and then bashed his head in. Then she’s picked up by movie stuntman Luca Mondini (Howard Ross, whose “special participation” credit is an eyebrow-raiser), who announces that he doesn’t plan on forcing his way into her pants and they have a whirlwind romance complete with a montage. She even calls her father the count and announces she’s completely cured, but then three rapists show up at her door and, after they’ve had their way with her and killed Luca, she goes all I Spit on Your Grave on them. When the police finally catch up with her (the inspector has been nothing if not dogged in his pursuit), she’s been living in the woods fending for herself for about a month — but she’s still no werewolf woman. I tell you, I haven’t been so dismayed by a false werewolf movie since She-Wolf of London.

Monster Legacy takes on the creature effects in “The Howling”

If you want to immerse yourself in monster makeup and costumes but you can’t get a job in the creature effects industry, reading Monster Legacy might be the next best thing. Last year they provided wonderful photo-essays on the werewolf in The Cabin in the Woods and the Lycans of the Underworld series. Now they’ve posted an incredibly thorough exploration of the design and execution of the werewolves in The Howling.

Rob Bottin and his crew brought the werewolves of the Colony to life through an ambitious process of iteration and experimentation, but as the article explains, Bottin was unsure whether the work was any good or not even as the finished shots were being edited together. I was particularly interested to learn about Rick Baker’s role, which went from “designer” to “advisor” as he realized his work on The Howling might conflict with his commitment to An American Werewolf in London.

This passage stood out to me as an excellent summary of why I feel bored and a little cheated whenever I see actual wolves uses to portray werewolves in film and TV.

In adapting the story, [director Joe] Dante also rejected the Studio’s proposals “to use large wolves” to portray the antagonist creatures — an approach Dante “always found disappointing” in other films of the genre. “It’s very hard to even find actors who can look natural while filming a scene with an animal,” Dante explained, “and it takes tremendous time and patience waiting for the animal to do the right thing. And that’s just for normal rabid wolves footage — nothing supernatural at all. Real wolves aren’t scary; it brings things down to nature, really robs things of any fantasy value.” The director was, in fact, adamant in the intention to portray Werewolves as beastly humanoid creatures in his film — nightmare stalkers.

If it wasn’t 9 o’clock on a Monday morning, I would drink to that!

Read the full essay on Monster Legacy, and then check out the accompanying gallery of behind-the-scenes photos and production stills from The Howling. Thanks to Monster Legacy for their always-excellent work!

Meet artist Pierre-Alexandre Comtois

For today’s #WerewolfWednesday post I’d like to direct your attention to Pierre-Alexandre Comtois, a Vancouver-based traditional and digital artist of 15+ years and designer of some Paul Kidby-level charismatic creatures. His work often delves into the fantasy/alien zones, and werewolves frequently occur.

Pierre-Alexandre Comtois WerewolfI first saw Alex’s art by creeping on him while we were sitting across from each other on a train last autumn. Over the course of 45 minutes I surreptitiously watched as a staff-wielding winged gargoyle/alien materialized in his sketchbook. We had a short conversation right before we went separate ways at our stop, and he gave me his details on a scrap of paper that’s been on my desk ever since. I’m happy to have an excuse to share his work today.

You can can find his galleries of character concepts, digital illustrations and storyboards on Behance, Instagram and his portfolio site. He also very recently (as in Monday) resurrected his Twitter account. If you like his work (or if you have work for him), let him know!

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You need a new coffee mug.

Or tea mug. I don’t care how many you have already. Yes, I know all about the dusty ones at the back of your cupboard that you never get a chance to use because you rinse and refill the same one for three days straight. That’s gross. Put that crusty thing in the sink and get a fresh new one.

Oh, you “don’t drink caffeinated beverages”? Doesn’t matter. Somewhere in your house or office you’ve got at least one mug full of pencils, paintbrushes and highlighters, and I’m going to come in there in the night and knock it onto the floor like a giant cat, and it’s going to break. You’re going to walk in and see your scissors and nail files on the floor in a halo of shattered ceramic and you’re going to say “AQ was right to tell me I need a new coffee mug”.

Because you do. And you should make it this Snarlbucks Coffee mug by Cassandra Aponte, aka TeknicolorTiger, because the design is an excellent werewolf-themed improvement on the muddled character in the original, and Cassandra is a great artist who deserves the two bucks or whatever cut Redbubble gives her on this.

Important addendum: You can get this mug or anything else in her store for 20% off with the code GIMME20.

Tom Hardy’s “Taboo” afflictions probably don’t include lycanthropy

I’ve heard some speculation that Tom Hardy might be portraying a werewolf (or similar creature derived from African mythology) in the upcoming FX miniseries Taboo, but I don’t think so. From Variety:

Set in 1814, “Taboo” follows James Keziah Delaney (Hardy), a man who has been to the ends of the earth and comes back irrevocably changed. Believed to be long dead, he returns home to London from Africa to inherit what is left of his father’s shipping empire and rebuild a life for himself. But his father’s legacy is a poisoned chalice, and with enemies lurking in every dark corner, James must navigate increasingly complex territories to avoid his own death sentence. A dark family mystery unfolds in a combustible tale of love and treachery.

There’s enough going on there that an explicitly supernatural angle would overload the plot. The flash of a bloody-mouthed someone (or something) in the trailer is more likely a reference to a crazy experience Delany had during his lost decade in Africa, or cut in from a scene depicting the “madness” plaguing his family. Although Hardy would make an excellent werewolf, don’t you think?

Taboo is an eight-episode miniseries co-produced by FX and BBC One. As of today it has no official release date.