Category: Books & Comics

Werewolves set in type and inked in panels.

Trailer & Release Date for Netflix “Hemlock Grove” Miniseries

Hemlock Grove book coverThe 13-episode Netflix original series Hemlock Grove, based on the novel of the same name by Brian McGreevy, will premiere on April 19th. Eli Roth (who directed the first two Hostel films and swung a Nazi-seeking baseball bat in Inglourious Basterds) will executive produce, as well as handle directing duties for the pilot and the last two episodes. Above is the trailer (which my favourite media site AV Club carefully dissects), and here’s a synopsis from the Netflix press release:

The series revolves around the eccentric residents of a dilapidated former Pennsylvania steel town and the murder of 17-year-old Brooke Bluebell. Through the investigation, the town’s seamier side is exposed, revealing that nothing is what it seems.

I’m in the middle of reading the novel, so I’ll avoid editorializing or spoilers and just say that it has my favourite cover art of 2012.

“The Werewolf of NYC” Kickstarter perks are pretty sweet

Last November I posted about Edwin Vazquez’s Kickstarter project for his comic “The Werewolf of NYC“. I just got my rewards package in the mail, and I think it warrants sharing here because it’s a very generous array of high-quality swag: two copies of the comic, a limited-edition t-shirt, a tattoo flash page (designed by Jenai Chin), stickers, buttons, and a hand-written thank-you note containing a limited edition piece of art. If you want to get the comic, the sticker or the shirt (in non-limited black), you can visit the Werewolf of NYC shop.

Werewolf of NYC Kickstarter Swag

If every Kickstarted, Indiegogoed or otherwise crowdsourced project I backed resulted in stuff like this showing up at my office, I’d be broke in the time it took you to read this. Thanks, Edwin! I can’t wait to read about Albert’s troubles on the train ride home.

Dutch film “Alfie, the Little Werewolf” will eviscerate you with cuteness

“Alfie, the Little Werewolf” (Dolfje Weerwolfje) is a film based on a series of popular children’s books by Dutch author Paul Van Loon. It was in theatres in the Netherlands in November 2011, but it’s recently popped up at a few international film festivals (Toronto, Dubai). I think Tandye’s reaction after seeing the trailer speaks for us both: “Oh my God, that is the cutest thing I ever saw.

Alfie has no idea what is happening to him when, on the night of his seventh birthday, he changes into a small, white, furry animal: a little wolf. By the light of the full moon, he runs through the park and the neighbours’ gardens, chasing chickens and ducks. The next morning, he wakes up as himself, an ordinary little boy. Now he starts to realise why he has always felt so different from his foster parents and his foster brother Timmie. He’s a werewolf. But sensitive little Alfie doesn’t want to be different. He just wants to be normal, like everybody else. He’s afraid his father and mother won’t want to have anything to do with him once they find out he is a werewolf. So Alfie wants to keep it a secret at any cost, but that’s not as easy as it seems. After all, there’s a full moon every month…

If your job is to acquire films for the North American market, come on. Come oonnnnnn. A cute little family-friendly werewolf kid with glasses (and a ton of merch)? You’ll be rich!

Issue 1 of Holt & Diotto’s “Southern Dog” bites in the right way

I just finished reading the first issue of Southern DogJeremy Holt and Alex Diotto‘s comic series about Alabamian werewolves and racism in the six months before the (first!) Presidential Inauguration of Barack Obama. My skin is crawling, and that’s a testament to Holt’s writing. His script doesn’t waste any time: within three pages we’ve got a battered werewolf, a gaggle of pointy white hoods and a truck full of rednecks. The pace slows considerably after that, but the atmosphere of menace and violence never dissipates.

Every review I’ve read of Southern Dog makes mention of Alex Diotto’s young age (and I guess this is one of them now, too). I sure don’t see anything inexperienced about his art, though – there’s a satisfying, workmanlike quality to his panel layouts, and while I’m not crazy about the “catty” design of his werewolf, it doesn’t detract from his skills with facial expressions and body language.

I enjoyed Southern Dog, and I’m grateful to Holt and Diotto for sharing the first issue with me. For a proper review by someone who actually knows comics, I’ll direct you to Michelle White at Multiversity Comics – her assessments of the issue’s ups and downs are similar to my own, and she’s got more Comix Credibility than I.

Southern Dog is published by 215 Ink. Issue 1 is availablein their online store on comiXology.

“The Werewolf of NYC” – a gorgeous grotesquerie by Edwin Vazquez

I don’t want Werewolf News to turn into a Kickstarter directory, but I don’t want to pass up cool stuff, either, and Edwin Vazquez’s The Werewolf of NYC is pretty damn cool. It’s a 4-issue comic series – created entirely by Vazquez – about unhinged shut-in Albert Shaw escaping his Hell’s Kitchen apartment and roaming the streets as a werewolf. From what I’ve seen of the preview [mildy NSFW], it’s going to be a surreal journey. The thick lines of Vazquez’s scratchboard art renders a New York neighbourhood literally melting with pop art colours, and the narration describes a man whose mind is even more tortured than his body.

The Kickstarter goal is a modest $3,000 to cover production costs of this first issue. The perks include stickers, buttons, hand-screen-printed t-shirts, and a lovely hand-made accordion-style promo book. The first nine pages of the first issue are available here, and I’ve posted the first three below, so you can get a taste of Vazquez’s delightfully grotesque visuals. If you like what you see, why not support it?

 

Allison Moon continues lycanthropic exploration of feminism & queer identity with “Hungry Ghost”

Author, sex educator and distinguished fur vest wearer Allison Moon is writing a sequel to her debut novel Lunatic Fringe, and she’s put together a Kickstarter campaign to help pay her production expenses. Hungry Ghost is scheduled for an April 2013 release. From the campaign page:

Lunatic Fringe is Book 1 of the Tales of the Pack series, which gives werewolf stories a lesbian twist. It follows college freshman Lexie Clarion as she encounters the strange and scary world of feminist politics, liberal arts education, and forests filled with nasty creatures.  Hungry Ghost (Book 2) picks up where Lunatic Fringe left off, as Lexie becomes part of the Pack and takes on her role as a werewolf hunter. She makes new friends, discovers new powers, and has to defend her family and her town against a new Big Bad.  The series explores feminism, queer identity, gender politics, and community, all within the werewolf world.

Allison is looking to raise $4,500 to pay her editor and her cover art designer. Additional funds will go towards the cost of merch production and the setup and distribution of the paperback books. The good news is that the campaign has already surpassed its goal with 6 days left, and is within $800 of reaching the first stretch goal: audiobook recordings of both books.

I’m a fan of Allison’s fiction but I also deeply admire her writing on feminism and gender – please support her work if you’re able!

“Werewolves of the Heartland” – the Fables graphic novel with a werewolf brawl on the cover

Reader Stalker emailed me a link to this Newsarama interview with Bill Willingham, writer / creator of the Eisner-winning comic Fables. Willingham and artists Jim Fern, Craig Hamilton, Ray Snyder and Mark Farmer have collaborated on “Fables: Werewolves of the Heartland”, a 144-page graphic novel set in the Fables world. From the Vertigo site:

Bigby Wolf takes center stage in what might be the most action-packed FABLES story to date. Bigby embarks on a quest through the American Heartland to find a new location for Fabletown. In his wanderings, Bigby stumbles across a small town named Story City, that, amazingly enough, seems to be populated by werewolves. Who are they and where did they come from? They aren’t Fables, but they sure aren’t normal mundys. They seem to already know and revere Bigby, but at the same time they’ve captured and caged him – but why? Unravelling the many mysteries of Story City may cost Bigby more than his life.

Werewolves of the Heartland comes out November 22nd (you can pre-order it on Amazon now, though). It was originally announced in 2009, but was pushed back a few times because, as Willingham explains in the Newsarama interview, there were some problems coordinating all the art:

The principle artists are Jim Fern, who’s doing the layouts, and then Craig Hamilton did primarily the finishes and inking. And one of the reasons for doing the story was to give Craig Hamilton a really nice showcase for his wonderful talents. But there were some delays, as there often are on a big project, but for Craig and Jim, to a certain extent, we needed to bring in some help with some other artists who were able to stylistically keep it pretty much looking the same throughout.

I get so busy with non-werewolfy work at my “pays for my rent and food” job that I don’t have time to read even a quarter of all the great comics and books that get recommended to me, but I am going to have to set some time aside to read this. But first, I better get familiar with the Fables universe – the Newsarama interview makes it clear there’s a lot of story to explore. How many Werewolf News readers are familiar with Fables? Would you recommend it?

These are your roots: Kickstarter for Deluxe “Werewolf the Apocalypse” 20th Anniversary Edition

Before the emails about this thing started arriving in my inbox yesterday, I hadn’t thought of Werewolf: the Apocalypse in years. I rolled my last dice in that system during the spring of 1998, and at the time, I didn’t actually miss it much. My group of gaming friends moved on to a weird hybrid of Rifts and Rolemaster that resulted in me getting less sleep and more C’s than I would have liked during my final year of high school. But I kept my WtA book and leafed through it occasionally, enjoying the artwork and the florid-yet-melancholy world described within. I don’t know where that book is now – probably sold to help pay for rent during my dipshit years – but my interest in the game and its universe has suddenly been renewed by news of a Kickstarter to help fund the creation of a Deluxe “Werewolf the Apocalypse” 20th Anniversary Edition.

The goal is to fund the creation of “a deluxe hardcover edition that stands proudly on its own as an amazing volume, or with Vampire the Masquerade 20th Anniversary Edition.” This volume, referred to as “the W20”, is planned as a black leatherette hardcover with “an inset disk on the spine featuring the W20 round symbol, with 520+ full color, silver-edged, interior pages, and a red silk ribbon bookmark.” Naturally, the cover will feature the classic Werewolf claw marks, die-cut right through the cover material.

Contributors will receive perks that range from a listing of their name on the thank-you page of the book, to the book itself, to an Ultra Deluxe W20 Heavy Metal Edition – a version of the book with an actual metal slab in the cover, bearing punched-out claw marks. In between (and beyond) these tiers are a treasure trove of PDFs, artwork, wallpapers and even a chance to have WtA “showrunner” Ethan Skemp GM a game for you and your friends over Skype.

As of this post, only two days after its start, the project has been 138% funded with contributions totalling nearly $120,000. Both of its stretch goals have already been met, too: all backers will also receive a Making of the Art of W20 PDF “that details via sketches and the text of emails and phone conversations the chaotic process of creating the art for W20“, and early access to a PDF copy of a new WtA novel by Bill Bridges.

I fully intend to get on board with this thing, partly out of nostalgia and partly because I think Werewolf: the Apocalypse is an important part of modern werewolf culture (if such a thing could be said to exist). Whether you played it or not, what you see when you search the Web for “werewolf” is influenced in some small way by what Ethan Skemp and his colleagues first released in 1992. Much of its aesthetics are things I turn my nose up at now – the cyperpunk/eco-warrior bent of its stories can be heavy-handed, and the spiritual elements of the game’s world are the purest distillation of that “tree-hugging anthropomorphic wolf in a loincloth” business that I love to hate) – but if you’re a werewolf fan who was old enough to get an allowance in the early 90’s, you’d better pay WtA some Goddamn respect or I’ll go Crinos on your ass.

Pre-Code Comics: The Wolpire

I hope you enjoyed my pre-Code comics countdown of favorite werewolf stories.  I wish there were more, but that would require time travel, and my DeLorean’s in the shop.

That said, there’s one more incredible story to share. Just not “Bravo!” incredible. More like “Why has God forsaken me?” incredible.

From March 1954, The Wolpire tries to be many things: horrific, patriotic, romantic, even 3-D! It succeeds at, um, using a lot of yellow ink. I admit a flying yellow man in a speedo sounds scary. I just can’t explain what that has to do with werewolves and neither can the writer.

Thanks one more time to Karswell for hosting this and other stories. If you like them, seriously, leave him a comment already.

And yes: argyle is awesome.

Pre-Code Comics: Werewolf Valley

Illustration by Alright Owl

Does your skin itch? Do your teeth ache? It’s time for first place in the all-lycanthrope pre-Code comics countdown.

There’s a strange disconnect with werewolves. I don’t know about you, but I find the idea of werewolves sexy. Very sexy. And yet, I can’t tell you the last portrayal of a werewolf I found even slightly sexy.

Even in Werewolves of the Rockies, Fria went from blond bombshell to bony bipedal rat-thing. I know werewolves are supposed to be monsters, but can’t they at least look like wolves?

Now rewind to April 1952, when America was much more worried about deforestation than werewolves. Wait, that was some other America so, how to explain Werewolf Valley? All I know is, if Marta offered me coffee, I wouldn’t hesitate even if it were decaf.

Thanks again to Karswell for hosting this at The Horrors of It All. Next time: the worst pre-Code werewolf!