“Hair of the Dog” full werewolf makeup preview

I got a follow-up email from Hair of the Dog director Michael Butts the other day.

Just wanted to share this picture of the “werewolf” in “Hair of the Dog.” Bennett Rodgers spent 6 hours in make-up which went from head to toe. This of course is just a shot of Bennett’s face in full werewolf make-up.

Scott Crain took the picture[,] and the make up artists were Stacy Lockhart, Caleb Paschall, and Laura Natalie Homer.

I was pleasantly surprised to learn the werewolves in this movie have a form more lupine than the wolfman-esque visuals we’ve already seen (and that I was quite happy with).

Cartoon Saloon & Tomm Moore take on the wolfen shapeshifters of 17th century Ireland

Cartoon Saloon and Tomm Moore are responsible for The Secret Of Kells and Song Of The Sea, two of my favourite animated films of recent years. Now, according to a post on Moore’s Tumblr and this Den Of Geek write-up, Moore’s laying the groundwork for Wolfwalkers, a film exploring Irish (maybe-)werewolves and Oliver Cromwell’s campaign of destruction in their country.

Wolfwalkers Booklet - large text final

In a time of superstition and magic, when wolves are seen as demonic and nature as evil to be tamed, a young apprentice hunter, ROBYN, comes to Ireland with her father to wipe out the last pack. But when Robyn saves a wild native girl, MEBH, their friendship leads her to discover the world of the WOLFWALKERS and transforms her into the very thing her father is tasked to destroy.

Cartoon Saloon’s next film is The Breadwinner, due out in 2017, so Wolfwalkers may still be in production for a few years yet. Song of the Sea narrowly beat out Patrick McHale’s gorgeous miniseries Over the Garden Wall as my favourite animated project of 2014 – lupine metamorphosis or not, I’m very excited to see what wonders Moore’s latest visit to Ireland’s history and mythology will unveil.

Thanks to Tandye for the link!

Hair of the Dog updates: Whiskey poster & Sleep Nation video with werewolf action

It’s a big week for Hair of the Dog, the upcoming film about a middle-aged werewolf trying to get his life back on track through AA and a lycanthropy support group.

As you may recall from my Q&A with filmmaker Michael Butts, Hair of the Dog has evolved from a short film into a feature-length production, and filming starts this weekend. As with any big production, this is a collaborative effort, and I want to share two things that Michael shared with me.

Tennessee rock band Sleep Nation is providing the soundtrack for Dog, and they just released a music video for their song Mr. Unlucky, directed by Michael and starring Scott Crain as werewolf Ethan Russoff. I like the tune, and if this is the kind of stuff Ethan gets up to in bars, he’s going to need more than a support group to get his shit figured out.

Michael also sent me this faux whiskey poster by Caleb Paschall, “a buddy of mine who does special make-up effects for films who designed this fun poster on my behalf”. I might learn to like whiskey if this was a real brand.

Hair of the Dog Whiskey

Bring a funny, dark “Gentle Werewolf” to life

Here’s a web series pilot that I’d really like to see make its Kickstarter goal for a few reasons, not the least of which is that the main character seems to be… me.

Gentle Werewolf is a comedy series about life in your late 20s and early 30s when you are feeling lost and uncertain about what your future holds. You reassess your career goals, your life goals, your personal grooming goals and you pretty much obsess over every thought that runs through your head, forgetting to allow your brain time to breathe. Now, throw in becoming a werewolf, and things get really, really messy. Welcome to Tom’s life, and that of his nearest and dearest friends who struggle with the idea that he may actually be a werewolf.

Okay, so I’m in my mid-30’s and I may not actually be a werewolf, but the rest of that stuff? I guarantee I’ll stop writing this post at least twice* to worry about one of those things.

It’s refreshing to hear about a werewolf film/video project that’s leaning on comic and character beats. I particularly like director Ally Zonsius‘s vision:

Gentle Werewolf is a dry buddy comedy with a touch of romance, drama, and werewolf transformation. I was flying to Seattle when I first read the script myself, and I laughed aloud, which doesn’t happen often. My overall approach for Gentle Werewolf is to celebrate the humor and find unique ways to keep it relatable, with characters just like people you may know. In our present, everyday world, Tom’s transformation to become a werewolf fits awkwardly, and I want that to show. Sam Esmail’s film Comet and TV show Mr Robot serve as visual inspiration – both have wonderfully uncomfortable ways to compose a frame to suit the discomfort happening on screen. Tonally, Silicon Valley and Catastrophe set a good par for Gentle Werewolf and they, along with The Last Man on Earth, match the style of humor I am going for – part real, part ridiculous and a little dark too. We have a fantastic cast on board that will bring this group of friends to life with a camaraderie, and well-written, witty dialogue. Gentle Werewolf was written to become a guilty pleasure for all. We appreciate your support.

I enjoy (or have in my must-watch queue) every show mentioned, and as demonstrated in the pitch video, they’re not just called out for the sake of positive association. Catastrophe tone and Mr. Robot shot framing? That alone gets my pledge, werewolf angle or not!

This project has been carefully considered for at least a year or two, and given the concept and the impressive experience of everyone involved in the campaign, this looks like it would be a fantastic series. I’d like them to make their goal (at least!) and be able to make Gentle Werewolf the way it ought to be made. Check it out on Twitter and Facebook, and do consider chipping in a few bucks.

*it was three times

Vote for “Wolf Hands” screen adaptation in Storyhive competition

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A Canadian werewolf film needs your eyeballs and votes in a film competition!

Wolf Hands is a proposed film adaptation of a serialized weekly comic of the same name by Justin Heggs and Nick Johnson. It’s part of Storyhive, a competition similar to the one that gave the world WolfCop. In Storyhive, “local creative talent in Western Canada” vie for one of thirty $10,000 production grants and the chance to have their completed projects shown on TELUS Optik TV.

You don’t need to register, log in or sign up to vote, and you get five votes per day. Voting ends on November 9th, and in literally two clicks, you can vote for Wolf Hands, so please, get clickin’!

But, you ask, what am I voting for? Well, if you didn’t click the serialized weekly comic link above (or the first page, embedded in this very post), here’s an excerpt from the press release:

Calgary, AB – Two Crater Moon is proud to announce the official Telus Storyhive campaign launch of Wolf Hands, an adaptation of the revered local comic book series, starring Shane McLean and directed by Braden Brickner.

Wolf Hands tells the story of Vaughn Miller, who after being mauled by a dying werewolf, must go on the run in fear of his developing curse hurting the people he loves. Trouble follows him in the form of Professor Orchid, a maniacal scientist hell-bent on capturing Vaughn and exploiting his newfound abilities for his own nefarious ends.

A horror/comedy in the vein of Edgar Wright and Sam Raimi, Wolf Hands is a viciously entertaining romp that strives to capitalize on the coming Halloween festivities as the Telus Storyhive short film competition officially commences on October 26th, 2015.

Basically, Two Crater Moon wants to make a weird horror-comedy out of a nonsensical comic with a ludicrous premise. I like it so much I say they deserve two of those grant slots. Go vote!

You can also follow Two Crater Moon on Twitter, and Wolf Hands the comic on Twitter or Facebook.

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Sam Wilson: The Falcon, Captain America and werewolf (again)

I’m a dummy when it comes to Marvel and DC comics. I spent my peak comics-collecting years ferreting out all the Predator stuff Dark Horse published, preferring alien big game hunters to capes and superpowers. It takes a lot to get me interested in anything The Big Two are doing, but turning one of your marquee characters into a werewolf (again) definitely qualifies.

Issue 3 of Captain America: Sam Wilson, written by Nick Spencer and with art by Daniel Acuna, comes out in November. I don’t know anything about the previous two issues, but I guess Sam Wilson used to be The Falcon, and now he’s Captain America? And also a werewolf?

Because you demanded it– the return of Cap-Wolf (er, Fal-Cap-Wolf)! What horrors await– IN THE DUNGEON OF DOCTOR MALUS?

I… don’t know! But Acuna’s  cover art alone is enough to make me want to know!

Thanks to Nemo for the link.

Deluxe Werewolf 20th Shattered Dreams

Here’s an already-successful Kickstarter campaign for Shattered Dreams, a lavishly-illustrated book for players of Werewolf: The Apocalypse 20th Anniversary Edition looking to bolster their storytelling with canonically accurate history.

W20 Shattered Dreams presents an in-depth look at the pre-history of the Werewolves and the Changing Breeds, both the threats that drove them to war and the War of Rage itself. The book showcases many time periods and many ways in which the War could start, so that players and Storytellers can make prehistory their own.

Writes Amanda “Hyena” Johnson, who submitted this item:

It’s about the various Wars of Rage, so a lot of fighting between the werewolves and the other various shapeshifters (From the Ice Age upwards to the modern era). The art by Ron Specer and Brain LeBlanc is great too and pretty violent.

Also, they are running a campaign where you can post various things to unlock achievements. From posting images of your werewolf tattoos, W20 fanart, or selfies with wolves, mass etc. in the Kickstarter comments.

I’m there to post playlists everyday.

Those playlists are great! Hint: search the comments for “Hyena”. If you’re looking to expand your W:TA library, this looks like a wonderful addition.

Terrify your neighbours & restrain your dog with werewolf “MuzzleMasks”

This Indiegogo campaign launched yesterday, with a target of $45,000 USD and a goal of making your mild-mannered (but rowdy enough that he or she needs a muzzle) dog look like an unhinged lycanthropic killing machine.

The original werewolf MuzzleMasks are designed and hand-made in Moscow, Russia. They are crafted from the finest materials and designed for the maximum comfort of your pet. These MuzzleMasks come in 5 sizes, designed to fit any dog from a Poodle to a Great Dane. MuzzleMasks provide plenty of room for your pet to open their jaw and are created for your dog to make the ultimate bad boy or vicious girl statement!

The makers of the MuzzleMask are raising funds to mass produce these and distribute them in the United States. You can get one of these masks for a pledge of $35 USD. My dachshund turns into a literal trash disposal if left unsupervised, so he could probably use a muzzle, but this one is likely to get me a letter from our strata, sternly-worded and containing the phrase “traumatized children at the playground”.

Full Moon Features: Werewolves in U.S. Theaters Right Now

For the first time in recent memory, werewolf aficionados have two films featuring our favorite furry monsters to choose from in theaters this Halloween. True, they’re both more family-friendly than some might like, but PG werewolves are better than no werewolves.

First up, there’s Hotel Transylvania 2, the sequel to the hit animated film from 2012. I haven’t seen either, but Steve Buscemi does return to voice Wayne, the harried family wolf who has his paws full keeping his rambunctious pups in line. And since Hotel Transylvania 2 has continued to pack ’em in a month after its release, there’s every reason to believe we’ll be getting a Hotel Transylvania 3 in short order.

Less assured of a follow-up is Goosebumps, which brings to life all of the creepy crawlies cooked up by R.L. Stine in his book series of the same name. I had aged out of the target audience long before Stine’s books first came out in the early ’90s, so I’ve never read any of them, nor have I seen the television shows, specials, and videos they spawned. (Nope, not even The Werewolf of Fever Swamp.) That didn’t prevent me from enjoying the film, though, especially since said werewolf gets a fair bit of play. True, he’s a purely CGI creation (as are most of the monsters in the film), but he has a good design going for him and he’s party to some of the film’s most suspenseful sequences.

In addition to the werewolf, which gets about five minutes of featured screen time (not that I was keeping track or anything), Goosebumps also unleashes an abominable snowman (the first of Stine’s creations to escape from his manuscripts), a vindictive ventriloquist’s dummy named Slappy, an army of garden gnomes, the Invisible Boy, a giant praying mantis, a squad of space aliens with freeze rays, a gaggle of ghouls, some scarecrows, a mummy, a scary clown (is there any other kind?), and many others. That should be enough to satisfy just about any monster fan.

On the opposite end of the spectrum in that regard is the horror anthology Tales of Halloween, which received a limited release in conjunction with its bow on VOD. The main draw for me was the participation of Dog Soldiers director Neil Marshall, who contributes the best segment (“Bad Seed,” about a killer jack-o-lantern), but the IMDb keywords page also promised a werewolf that the film failed to deliver, so I have submitted a request to the site to have it removed. And I’m using this space to let potential viewers know there are no werewolves in Tales of Halloween. Maybe if there were, it would have actually gotten a wide release.

Review: Werewolf Bicycle Cards from Crooked King


Some of you may remember the article for the Werewolf Bicycle Cards that were promoted on this blog during the card project’s run on Kickstarter some time ago. Well, they shipped recently, and I happened to purchase both the standard and special edition versions when I backed the project.

The cards are your standard deck of playing cards. The court cards are illustrated with neat werewolf portraits, most showing both the human and werewolf form of each of the various characters. All the standard cards are relatively plain affairs, though the backs feature a pleasantly simple full moon with runic illustrations that I think are both stylish and tame enough not to be distracting.

The numbered cards are simple to decipher, featuring only a few small full moon symbols in the corners, and an unexciting but appropriate font and choice of iconography for the suits. Some themed playing card decks choose to do heavier theming, which can ruin the primary function of a playing card deck.

The most elaborately-designed cards here are the distinctive face cards, which are the meat of the theme. Each of the face cards (with the exception of the jokers) has a unique portrait of a human shape and werewolf shape attached at the waist, in the standard playing card form. This is a tasteful use of the traditional theme to show off the dual nature of the characters.

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The deck features four female werewolves for the queen suit, and twelve male werewolves for the jacks, aces and kings, with two werewolf hunters as the jokers. The art is done in a mostly consistent style, though I have some mild criticisms. Each illustration uses largely the same color palette, making suit determination a little bit harder at a glance. One might have to rely on the corners instead of the artwork, but it shouldn’t be hard to figure out once the deck has been broken in a little bit. The mirror poses generally work, and the artist chose styles that allow each distinct werewolf to be recognizable as the same person in both forms.

Their werewolves are anthropomorphic and beastly, though the noses on the queen and king of spades bleed into the fur, with the glossy print giving them a strange appearance that takes some getting used to. All of the wolves have their teeth bared, although some, like the queen of spades, have their gums exposed, and at this relatively low resolution it almost looks like the wolf has lips. This can be a little off-putting, and is harder to adjust to than the nose situation.

Overall though, the artwork turned out better than expected, and the consistent style makes this deck worthy to own for any werewolf owner.

For those considering purchase, there are two versions of the deck, which only differ in the sleeve that they come in. The cardboard sleeve of the normal edition has one of my favorite pictures in the entire deck, a very beastly and distinct looking wolf that doesn’t fit most of the rest of the deck’s art style. The special edition has a glued-on lenticular piece that, as advertised, shows a progressive transformation of a human into a beast. Though the effect is hard to capture on camera, the experience will be familiar to any child of the 80s or 90s who grew up around this kind of thing. I can’t say the difference in cost is worth it to me, and honestly I prefer the art of the standard box, but your mileage may vary.

This deck’s creator, Scott King, should be applauded for bringing cool new werewolf stuff into the world, especially such a well thought and well-illustrated set. However, the fanbase he is appealing to is only so large, so if you have even a mild interest, I suggest purchasing a set for yourself or friends who enjoy the fantasy genre. In this way, Scott gets a return on his worthy investment, and we werewolf fans will continue seeing more creative applications of the theme in the future.