Deluxe Werewolf 20th Shattered Dreams

Here’s an already-successful Kickstarter campaign for Shattered Dreams, a lavishly-illustrated book for players of Werewolf: The Apocalypse 20th Anniversary Edition looking to bolster their storytelling with canonically accurate history.

W20 Shattered Dreams presents an in-depth look at the pre-history of the Werewolves and the Changing Breeds, both the threats that drove them to war and the War of Rage itself. The book showcases many time periods and many ways in which the War could start, so that players and Storytellers can make prehistory their own.

Writes Amanda “Hyena” Johnson, who submitted this item:

It’s about the various Wars of Rage, so a lot of fighting between the werewolves and the other various shapeshifters (From the Ice Age upwards to the modern era). The art by Ron Specer and Brain LeBlanc is great too and pretty violent.

Also, they are running a campaign where you can post various things to unlock achievements. From posting images of your werewolf tattoos, W20 fanart, or selfies with wolves, mass etc. in the Kickstarter comments.

I’m there to post playlists everyday.

Those playlists are great! Hint: search the comments for “Hyena”. If you’re looking to expand your W:TA library, this looks like a wonderful addition.

Terrify your neighbours & restrain your dog with werewolf “MuzzleMasks”

This Indiegogo campaign launched yesterday, with a target of $45,000 USD and a goal of making your mild-mannered (but rowdy enough that he or she needs a muzzle) dog look like an unhinged lycanthropic killing machine.

The original werewolf MuzzleMasks are designed and hand-made in Moscow, Russia. They are crafted from the finest materials and designed for the maximum comfort of your pet. These MuzzleMasks come in 5 sizes, designed to fit any dog from a Poodle to a Great Dane. MuzzleMasks provide plenty of room for your pet to open their jaw and are created for your dog to make the ultimate bad boy or vicious girl statement!

The makers of the MuzzleMask are raising funds to mass produce these and distribute them in the United States. You can get one of these masks for a pledge of $35 USD. My dachshund turns into a literal trash disposal if left unsupervised, so he could probably use a muzzle, but this one is likely to get me a letter from our strata, sternly-worded and containing the phrase “traumatized children at the playground”.

Full Moon Features: Werewolves in U.S. Theaters Right Now

For the first time in recent memory, werewolf aficionados have two films featuring our favorite furry monsters to choose from in theaters this Halloween. True, they’re both more family-friendly than some might like, but PG werewolves are better than no werewolves.

First up, there’s Hotel Transylvania 2, the sequel to the hit animated film from 2012. I haven’t seen either, but Steve Buscemi does return to voice Wayne, the harried family wolf who has his paws full keeping his rambunctious pups in line. And since Hotel Transylvania 2 has continued to pack ’em in a month after its release, there’s every reason to believe we’ll be getting a Hotel Transylvania 3 in short order.

Less assured of a follow-up is Goosebumps, which brings to life all of the creepy crawlies cooked up by R.L. Stine in his book series of the same name. I had aged out of the target audience long before Stine’s books first came out in the early ’90s, so I’ve never read any of them, nor have I seen the television shows, specials, and videos they spawned. (Nope, not even The Werewolf of Fever Swamp.) That didn’t prevent me from enjoying the film, though, especially since said werewolf gets a fair bit of play. True, he’s a purely CGI creation (as are most of the monsters in the film), but he has a good design going for him and he’s party to some of the film’s most suspenseful sequences.

In addition to the werewolf, which gets about five minutes of featured screen time (not that I was keeping track or anything), Goosebumps also unleashes an abominable snowman (the first of Stine’s creations to escape from his manuscripts), a vindictive ventriloquist’s dummy named Slappy, an army of garden gnomes, the Invisible Boy, a giant praying mantis, a squad of space aliens with freeze rays, a gaggle of ghouls, some scarecrows, a mummy, a scary clown (is there any other kind?), and many others. That should be enough to satisfy just about any monster fan.

On the opposite end of the spectrum in that regard is the horror anthology Tales of Halloween, which received a limited release in conjunction with its bow on VOD. The main draw for me was the participation of Dog Soldiers director Neil Marshall, who contributes the best segment (“Bad Seed,” about a killer jack-o-lantern), but the IMDb keywords page also promised a werewolf that the film failed to deliver, so I have submitted a request to the site to have it removed. And I’m using this space to let potential viewers know there are no werewolves in Tales of Halloween. Maybe if there were, it would have actually gotten a wide release.

Review: Werewolf Bicycle Cards from Crooked King


Some of you may remember the article for the Werewolf Bicycle Cards that were promoted on this blog during the card project’s run on Kickstarter some time ago. Well, they shipped recently, and I happened to purchase both the standard and special edition versions when I backed the project.

The cards are your standard deck of playing cards. The court cards are illustrated with neat werewolf portraits, most showing both the human and werewolf form of each of the various characters. All the standard cards are relatively plain affairs, though the backs feature a pleasantly simple full moon with runic illustrations that I think are both stylish and tame enough not to be distracting.

The numbered cards are simple to decipher, featuring only a few small full moon symbols in the corners, and an unexciting but appropriate font and choice of iconography for the suits. Some themed playing card decks choose to do heavier theming, which can ruin the primary function of a playing card deck.

The most elaborately-designed cards here are the distinctive face cards, which are the meat of the theme. Each of the face cards (with the exception of the jokers) has a unique portrait of a human shape and werewolf shape attached at the waist, in the standard playing card form. This is a tasteful use of the traditional theme to show off the dual nature of the characters.

cards

The deck features four female werewolves for the queen suit, and twelve male werewolves for the jacks, aces and kings, with two werewolf hunters as the jokers. The art is done in a mostly consistent style, though I have some mild criticisms. Each illustration uses largely the same color palette, making suit determination a little bit harder at a glance. One might have to rely on the corners instead of the artwork, but it shouldn’t be hard to figure out once the deck has been broken in a little bit. The mirror poses generally work, and the artist chose styles that allow each distinct werewolf to be recognizable as the same person in both forms.

Their werewolves are anthropomorphic and beastly, though the noses on the queen and king of spades bleed into the fur, with the glossy print giving them a strange appearance that takes some getting used to. All of the wolves have their teeth bared, although some, like the queen of spades, have their gums exposed, and at this relatively low resolution it almost looks like the wolf has lips. This can be a little off-putting, and is harder to adjust to than the nose situation.

Overall though, the artwork turned out better than expected, and the consistent style makes this deck worthy to own for any werewolf owner.

For those considering purchase, there are two versions of the deck, which only differ in the sleeve that they come in. The cardboard sleeve of the normal edition has one of my favorite pictures in the entire deck, a very beastly and distinct looking wolf that doesn’t fit most of the rest of the deck’s art style. The special edition has a glued-on lenticular piece that, as advertised, shows a progressive transformation of a human into a beast. Though the effect is hard to capture on camera, the experience will be familiar to any child of the 80s or 90s who grew up around this kind of thing. I can’t say the difference in cost is worth it to me, and honestly I prefer the art of the standard box, but your mileage may vary.

This deck’s creator, Scott King, should be applauded for bringing cool new werewolf stuff into the world, especially such a well thought and well-illustrated set. However, the fanbase he is appealing to is only so large, so if you have even a mild interest, I suggest purchasing a set for yourself or friends who enjoy the fantasy genre. In this way, Scott gets a return on his worthy investment, and we werewolf fans will continue seeing more creative applications of the theme in the future.

Moody & beautiful “THE WOLF MAN” print from Tom Whalen on sale today

Straight from the Tom Whalen’s strongstuffshop, THE WOLF MAN is a gorgeous print rendered in flat colours so much more evocative than anything in the Universal film it’s licensed from (no offence to  George Waggner or Lon Chaney Jr).

available in color edition or silver screen edition with metallic inks.

the poster is one of my run of artist proofs, a small run of prints separate from the timed edition that sold through dark hall mansion.

This 24″x18″ 4-color screenprint is numbered and signed by the artist, and can be yours for $45 USD when it goes on sale later today. If you spend $100 or more, use promo code FRANK at checkout to get this bonus print for free!

One could spend a hundred bucks pretty easily in Whalen’s shop, I think. Other classic Universal monsters including the Creature from the Black Lagoon and the Bride of Frankenstein got the same lovely treatment. My personal favourite is this five-colour diptych featuring all seven of Universal’s monsters.

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I need more disposable income, more walls, and less common sense.

Bike helmets & CG drool: bringing the “Goosebumps” werewolf to life

The big-screen adaptation of the Goosebumps book series is crammed with as many of R.L. Stine’s monsters as will fit. Via SOLIDASP comes a link to a Cinefex Q&A / interview with MPC production VFX supervisor Erik Nordby and VFX producer Greg Baxter, the two guys in charge of bringing these creatures to life.

In a somewhat dry but interesting discussion, Nordby and Baxter discuss the challenges of creating the Ginormous Blob, the Abominable Snowman, and of course the beloved (by me) Werewolf of Fever Swamp.

Let’s look at one of the creatures in more detail – the Werewolf, for instance?

GREG BAXTER: The initial 2D concept design for the Werewolf was provided by Carlos Huantes. Carlos then built a miniature maquette which we cyberscanned via 3DS in Burbank. This was our initial starting point for MPC to model and augment from.

VFX people, help me out – is “cyberscanned” a term of art, or is Baxter from a CSI Miami episode?

Who performed the Werewolf on set?

GREG BAXTER: John Bernecker was our stunt proxy for the Werewolf. He performed on-camera for just about every Werewolf shot, including running on all-fours atop a grocery store freezer. Erik and MPC Supervisor Pete Dionne built a custom facial capture rig with Go-Pros and a bicycle helmet, capturing John’s snarling for additional animation reference.

Interesting to hear that despite the heavy use of CG, on-set proxies and performers were essential in creating the film’s monsters.

For more on the process, including a wonderful dig at my favourite thing to complain about regarding werewolf morphology, check out the post on Cinefex.

Goosebumps Werewolf - WIP Goosebumps Werewolf - Final

Complete your werewolf costume with these resin werewolf claws

Tandye, who may or may not be scouring Etsy for new werewolf costume parts for me, found these great resin werewolf claws by Dark Matter Props. These claws

are between 1 1/2 to 1 7/8 inches long from one end to the other, Each set comes with 10 claws (adhesive not included). The claws are marked on the inside to let you know which finger they go on.

The claws are made from a tinted semi-translucent urethane plastic casting resin and then treated to a black/brown wash and sealed. The black/brown wash really brings out the details of the claw-like texture. The result is beautiful. They can be made in black or other custom colors upon request.

According to the product page, these claws can be attached to your own nails with prosthetic appliance/nail glue, and you’re encouraged to further customize the fit with a little sandpaper and squinting. Once you get them on, refrain from doing any Three Stooges routines or vigorous scratching, because these claws “come to a semi-sharp point (such as that found on a plastic fork)”.

These would be a great alternative if you don’t have the patience or the materials to sculpt your own.

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Glasgow artist’s woodland werewolf was calibrated for maximum scares

Via Kelly P: a paint and cling-wrap art installation by “Glasgow based aerosol artist” Rogue-one, designed to traumatize the unwary hikers of Scotland.

I took a trip to Pollok country park and painted something to scare the dog walkers & mountain bikers ?
Instagram @rogueoner

Imagine coming across this painting just after sunset, when the lighting is weird enough to activate the part of your brain that’s always scanning for large, pointy mammals that might eat you.

Rogue-one put this beast up on Tuesday the 13th, and according to Facebook comments, it was already trashed by the 14th. The artist was sanguine about it –”It’s done on cling film & doesn’t have much of a life expectancy” – and no wonder, considering the talent and prolificacy on display in his gallery. This guy can cling-wrap a werewolf any time he likes.

For a close-up look at this werewolf (and more of his incredible work), visit his Instagram page.

The Wolf Who Came to Dinner

Via perpetual pal Lew DelportThe Wolf Who Came to Dinner, a 2015 short film by Jem Garrard.

Beatrice Barkley is an eight-year-old horror fanatic with a serious problem: her mom’s brought her new boyfriend home to meet the family, and no-one but Bea seems to notice he’s a werewolf. Over the course of the evening, Bea uses her expert knowledge of werewolf weaknesses in an attempt to expose the seemingly innocuous French teacher as a dangerous monster – with unexpected results.

Gerrard is an award-winning filmmaker from London who lives and works in my hometown, Vancouver. Every time I think about the Vancouver connection I get a little outraged and a little embarrassed – how could I have not known about The Wolf Who Came to Dinner, especially considering it was one of the 2015 Crazy8s winners, and one of our two major newspapers wouldn’t stop posting about it in the spring.

I absolutely love the practical werewolf effects on display in the trailer. They were created by Dallas Harvey and his company Vancouver FX Studio. The costume looks like a figment from a child’s imagination brought to life, which could be exactly what’s happening here. For an in-depth look at the process of designing and building the costume, check this interview with Dallas. Also of interest is this interview with actor Adrian Hough, who plays the titular werewolf / French teacher who comes to dinner.

The Wolf Who Came to Dinner is currently being shown in festivals around Canada. For more information, visit the film’s Facebook page.

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Call for pitches: WEREWOLVES VERSUS ROMANCE

Back in August, me and some pals put out a little magazine called WEREWOLVES VERSUS: THE 1990s, and it was so fun that we’re doing it again! Issue two, WEREWOLVES VERSUS: ROMANCE comes out in early 2016, and this time I’m opening submissions to anyone who has a good idea.

“But”, I hear you asking, “what kind of ideas are appropriate for a magazine that’s basically just a digest of werewolf mashups?” That’s a very good question, and here is your answer:

…take the idea of a werewolf, and the idea of romance, and whatever (PG-13) messed up thing comes out of combining the two is what we wanna see.

I’m not looking for a bunch of conventional romance stories (or comics, or poems) where one or both partners are lycanthropes. I want to see first dates ruined by overzealous monster hunters on patrol, pickup artists ground into hamburger for trying to neg the wrong person, and polyamorous triads trying to work out pack dynamics.

Got an idea? Good: here’s how to pitch it, and what you’ll get if your idea is accepted:

If you would like to contribute, put your idea for a contribution into this pitch form before October 24th.

WV02 will be accepting 15 contributors, each of whom will receive a percentage of all sales of this issue, plus a physical copy. For full details on contributor terms, payments and licensing/rights, go here.

Like issue 1, WEREWOLVES VERSUS: ROMANCE will be a pay-what-you-want download from Gumroad, with the possibility of a limited physical print run. Come be a part of it!