Category: Artwork & Creative

Illustrations, paintings and other artistic endeavours involving werewolves.

Lyra Lycan and WOLFEN JUMP

It’s Friday and I want to cram something awesome in your face! Get ready for WOLFEN JUMP! “Now, what is Wolfen Jump?” you might ask as you brush its crumbs off your cheeks. Here, direct from their site, is all you need to know:

WOLFEN JUMP IS POWERFUL COMICS INFUSED WITH THE POWER OF WOLF
WOLFEN JUMP IS RALLYING YOUR FRIENDS & LOVED ONES WITH A GREAT HOWL
WOLFEN JUMP HAS MIGHTY JAWS AND FANGS
WOLFEN JUMP IS AN ANTHOLOGY IN THE MAKING FEATURING A MIGHTY COMICS WOLFPACK

If that didn’t clear things up, let me explain: it’s an anthology of short comics that all revolve around the theme “wolf”. There are already a lot of great entries, but I want to share with you two pages from the middle of my favourite, “Lyra Lycan” by Lauren Zukauskas. The setup should be familiar to anyone who’s seen Sailor Moon, Cardcaptor Sakura or any other “magical teen girl” manga or anime.

Lyra Lycan 1 Lyra Lycan 2

Lauren’s a cartoonist from Connecticut and you can see more of her work on Tumblr, Twitter and her kick-ass web comic Rachel & Penny, which is about the irresponsible rockstar problems of Rachel Amps and her long-suffering manager Penny (who seems to be me in lady format).

Wolfen Jump is still in production but you can see all of the completed entries on its web site. When it’s finished, it’ll be available as a free e-zine, and Rigged Books will be issuing a print copy for glasses-wearing traditionalists like Penny and I. Enjoy!

Weekly Werewolf Art: Werewolf Lady Portrait by Lindsay Small

Werewolf Lady Portrait by Lindsay Small

This week I want to introduce you to Lindsay Small and the delights she and her husband Alex are responsible for: Baman Piderman, and more recently, the animation for the new Mappy animated series. I love Lindsay’s design sense, colour choices and vector art, and recently she combined all three on an awesome monster lady spree. This werewolf gal looks like she’d give you a bloody nose and make you clean up the mess.

Next in the series of monster lady portraits! A werewolf aaaaaAAAAAAA!!!!

See the rest if you please herehereherehere, and here! Thank you!

Weekly Werewolf Art: “Wrong Turn” by James Coffron

"Wrong Turn" by jrcoffroniii

Artist James Coffron describes this gloriously murky piece about the dangers of reckless driving:

The classic cheesy horror theme of “Oh no there is a werewolf in the road! Look out!” Then of course the car wrecks and this is the aftermath.

“Scarlet Huntress” comic is about killing werewolves but Kickstart it anyway

The ongoing saga of the Scarlet Huntress is a passion project in comic form by husband and wife team Sean and Stephanie Forney. Right now they’re running a Kickstarter project for The Scarlet Huntress Anthology, a graphic novel collecting three new stories by John Barker, Bryan K. Borgman Stephanie Forney herself. I haven’t read any of the previous Scarlet books, and when I do I’m sure I’ll shake my head at all the senseless werewolf-murder, but I’m a big fan of spouses teaming up to make cool shit, and I like this project a lot.

In addition to a copy of the new book in a variety of formats, rewards for backers include:

  • copies of the previous three Scarlet books (one of them’s a children’s book, which is an idea I love)
  • photo prints of the live-action inspiration for Scarlet, model Brianne Jeanette
  • metal and resin miniatures sculpted for use in Bryan’s tabletop game Kaiju Kaos
  • other stuff, including advertising space in the new book, a t-shirt to cover your frail human form, and artwork to increase the werewolf-quantity of your living space

Below you’ll find the cover for the Anthology, Brianne in full-on Scarlet mode, and examples of the miniatures. For more details on the history of Scarlet Huntress and the stories in the Anthology, go check out the Kickstarter campaign. Best of luck, Forneys and friends!

scarlet-huntress-cover

scarlet-huntress-figs

scarlet-huntress-brianne

Want the 2014 Werewolf Horror Calendar? Check out my pitch video & Indiegogo campaign!

My wife Tandye and I just launched an Indiegogo project for the 2014 Werewolf Horror Calendar! We’re trying to raise $6,700 Canadian in the next 30 days, and we could super use your help on this Werewolf Wednesday (or any day before May 24, really). Below is the pitch video (yes, that’s me, terrified to be in front of a camera but giving it my best).

Visit the campaign page to get all the details, including all of the things contributors can get in exchange for their support, and notes on what the artists are thinking of creating for the calendar. Oh, and here are three desktop backgrounds derived from stills from the video. They’re drawn by Tandye and they still crack me up, even though I’ve literally seen them each a million times in the past two weeks. Literally.

No Regular Wolves No Hippie Wolves No Twilight Beefcake

Meet killer librarian Alexis LaPierre in “Wolf-Girls”

"Alexis" by viergacht

Last year I was lucky enough to have a short story I wrote included in the Hic Dragones anthology Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny, edited by Hannah Kate. “The Librarian”, which was the first piece of fiction I’d written in years, and which is also my first published work ever, is a short look at the changing fortunes of Alexis LaPierre (depicted above in full “please return your books on time” mode by the talented and generous Viergacht). Alexis becomes a werewolf at a young age and under tragic circumstances, and as she grows up, she finds that hedonistic escapism might not be the healthiest lifestyle for her (to say nothing of her victims). Here’s an excerpt:

Killing the pilot annihilated my delusions of animal nobility. I was no longer hunting solely for sustenance. People were food, but they were also a wonderful source of pleasure.

Given proper motivation, humans are capable of astounding cunning and endurance. I once stalked a man for nine hours along the shore of Lac La Ronge, breathing his fear and determination like the bouquet of an exotic wine. When he finally stood his ground, he had enough stamina left to break three of my fingers. His flesh was stringy, but I have enjoyed few meals more.

I was gone for eight years, ten months and twenty-three days. In that time I twice traversed the space between the Gulf of St. Lawrence and the Pacific Ocean, devouring campers, hikers, forestry workers and runaways. I don’t know how many people I’ve killed. If that seems strange, ask yourself how many cigarettes you smoked last year, or how many times you’ve masturbated. Some forms of self-indulgence aren’t quantifiable.

I had seceded from humanity, but I couldn’t maintain my isolation forever. Needled by an inexplicable desire for human contact that didn’t end in violent death, I would shed my feral form and hitchhike along the Trans-Canada Highway, gravitating to the nearest city.

These pilgrimages were always novel at first. Despite my separation from the world of people, I blended in – another hollow-eyed young woman with a donation-bin wardrobe no particular place to be. By day I wandered, transfixed and over-stimulated by the prismatic textures flowing from the city and its people. At night I ate transients, prostitutes or security guards, then slept in dingy motel rooms paid for with money taken from their bodies.

This would last a week or two, and then one morning I would wake choking on panic and loathing. The subsequent flight from the city – half-naked sprints across municipal golf courses and forest-edged subdivisions – was always punctuated with oaths to never return.

Months would pass, sometimes as much as a year, before the desire found me again, but it always did – a distant voice echoing among the trees, calling for a girl who went camping with her family and never came back.

If you’re interested in reading more of The Librarian, plus 16 tales by other authors whose contributions make me feel exceedingly lucky to be included, you can obtain a copy of Wolf-Girls from the following places:

Thanks to Hannah Kate and Hic Dragones to having me, Tandye for tolerating me while I was writing the story, Viergacht for illustrating Alexis, and you, the Werewolf News visitor, for reading my blog and indulging this not-entirely-shameless self-promotion.

Scream Factory reveals cover art for “The Howling” collector’s edition

Did you know that “retro pop culture label” Shout! Factory (of aborted Werewolf series DVD fame) has a line of cult horror / sci-fi releases under the “Scream Factory” banner? I didn’t, until Wednesday, when I saw this Daily Dead post about an upcoming Scream Factory release: a DVD / Blue-ray collector’s edition of “The Howling”, featuring brand new cover art from Nathan Thomas Milliner. From Scream Factory’s Facebook page:

The Howling - Collector's Edition cover art

Artist Nathan Thomas Milliner (who designed our key art for The Burning, Halloween III and several others) wows us again with his werewolf-filled and ferocious interpretation of 1981’s THE HOWLING which is coming soon to DVD & Blu-ray this Summer. We even showed this to Director Joe Dante who said “Wow! Cool! I’d go see that picture!”

More details on THE HOWLING (specific release date, etc.) will be coming soon in March. Stay tuned!

What do you think of Milliner’s cover art? Me, I’m feelin’ it.

Get your snuggle on with this Squishable werewolf

A Facebook friend (hi, Amurana!) shared an extremely cute link with me this morning: Squishable.com’s squishable werewolf! Squishable makes spherical plush critters which are designed to be snuggled upon with a will, and I don’t mind telling you that if I had this Werewolf, I would go Hug Bot on it. It was designed by RMCAD illustration student Tera S. as part of Project Open Squish, which seems to be a contest organized along the lines of how Patch Together runs. Squishable’s site is frustratingly vague about the contest’s timeline, or what it means for an entry to be marked “In Process”, but a post on the Squishable Facebook page says “The Werewolf from last month’s round made it into prototype thanks to your votes!”, so chances are good the design will be available for purchase soon. You can enter your email address on the Werewolf detail page to receive an email when it’s ready.

“The Werewolf of NYC” – a gorgeous grotesquerie by Edwin Vazquez

I don’t want Werewolf News to turn into a Kickstarter directory, but I don’t want to pass up cool stuff, either, and Edwin Vazquez’s The Werewolf of NYC is pretty damn cool. It’s a 4-issue comic series – created entirely by Vazquez – about unhinged shut-in Albert Shaw escaping his Hell’s Kitchen apartment and roaming the streets as a werewolf. From what I’ve seen of the preview [mildy NSFW], it’s going to be a surreal journey. The thick lines of Vazquez’s scratchboard art renders a New York neighbourhood literally melting with pop art colours, and the narration describes a man whose mind is even more tortured than his body.

The Kickstarter goal is a modest $3,000 to cover production costs of this first issue. The perks include stickers, buttons, hand-screen-printed t-shirts, and a lovely hand-made accordion-style promo book. The first nine pages of the first issue are available here, and I’ve posted the first three below, so you can get a taste of Vazquez’s delightfully grotesque visuals. If you like what you see, why not support it?

 

Detail shots for limited edition Mondo “The Wolf Man” poster + sale info

Via Daily Dead and the Mondo Blog, here’s a look at the limited edition Mondo poster for The Wolf Man, designed by Laurent Durieux. This 24″ x 36″ poster is part of Mondo’s UNIVERSAL MONSTERS show, and is limited to 380 prints. (more…)