Gritty werewolf murder mystery “Mongrel: S.O.B.” Kickstarter & graphic novel

Mongrel Mongrel: S.O.B. is a three-issue comic by artist Andrew Mitchell Kudelka and writer Edward Dunphy, who describes it as a gritty murder mystery, “one part The Howling and one part CSI: Chicago, [that] pits a monstrous werewolf against a veteran Chicago detective.” The first two issues have already been produced, and you might even have them if you were at comic conventions like SDCC 2012,  C2E2 or DanCon. The last convention I went to was ECCC 2011, and the Internet’s a big place, so I didn’t know about Mongrel until Tah told me about it this morning, with characteristic brevity. The first two issues have garnered enthusiastic praise, and the werewolf action seems firmly based in the horror genre, which is why the Kickstarter campaign to fund the concluding issue and a graphic novel collecting all three is worth your attention.

The modest $3,500 goal will cover artist fees and production costs for the graphic novel, and the backer rewards span the tried-and-true range of swag, including shirts, artwork, posters, advertising space, and several chances to be drawn into the final issue (either as a speaking character or a werewolf victim). They’re less than a day into the campaign and it’s already halfway funded, so some of those stretch goals (the most exciting of which is a Mongrel resin sculpture) seem likely, too.

I want to reiterate that I haven’t read either of the existing issues, but the first page of the first issue (below) is enough to get my pledge. If you’d like to learn more, hit up the Mongrel web site, Twitter account (@mongrelcomic) or Facebook page, and if you like what you see, kick in a few bucks!

mongrel-1-1

Vote & help out “Wolf Cop”: dark humour, gore, and a werewolf with a badge, a gun and a beer

Wolf Cop - In Development

It’s easy to get me excited about werewolf stuff, but it takes something truly special to make me go all Homer trampoline. Right now, that something is Wolf Cop, an in-development feature film from Canadian filmmaker Lowell Dean and Echolands Creative Group. I love everything about this project: the visual style, the gore, the dark humour, the almost-80’s synth in the score, the branding, the werewolf makeup, the fact that it’s a product of Saskatchewan… everything. Watch this trailer and tell me you’re not rendered inarticulate with enthusiasm.

Wolf Cop is currently part of the CineCoup Film Accelerator, a “disruptive model for indie filmmakers to develop, market and finance their feature films”. If you’d like to see this film get $1 million in funding and guaranteed distribution to theatres, here’s what to do:

  1. Sign up at CineCoup, using either your Facebook account or an email address, rate the Wolf Cop trailer and “heart” the pitch videos and photos. The biggest driving factors to get to the top 10 (and have a chance at the funding) are trailer ratings and mission views on the CineCoup page.
  2. Spread the word to friends, fellow werewolf fans, and compliant strangers. There’s a Wolf Cop Facebook page, Twitter account (@WOLFCOPTheMovie) and stand-alone web site with more information.

Here’s the official poster (via HorrorNews.net) and a closer look at the Wolf Cop werewolf makeup.

Wolf Cop Poster

Wolf Cop makeup

Tramampoline! Trabopoline! Go vote!

Old Spice “Wolfthorn” commercial makes me want to get in a car & drive through a window

I thought the Skittles werewolf baby commercial was the weirdest wolf/werewolf-related TV spot I would ever see, but I was wrong. So very wrong. This Old Spice commercial for a new fragrance called “Wolfthorn” is… irresistible. “I was afraid… then seduced… then intrigued… then in a car.” I love Old Spice commercials!

This promo photo from their Instagram feed is pretty righteous, too.

oldspice-wolfthorn

Thanks to Adam Sulewski on Twitter for pointing out the commercial!

New poster for Netflix’s “Hemlock Grove”

As mentioned previously on Werewolf News, on April 19 Netflix will release all 13 episodes of Hemlock Grove, an exclusive miniseries based on the novel by Brian McGreevy. Here’s the poster, which is a clever inversion of the book’s cover, and completely terrific in its own right.

Hemlock Grove Netflix Poster

Nazi Werewolf Zombie Inferno!!!

Nazi Werewolf Zombie InfernoNormally I try to make my post titles a little more articulate than this, but I can’t imagine the phrase “Nazi werewolf zombie inferno” being spoken aloud in anything less than giddy, slightly wall-eyed enthusiasm, so that’s how I’m writing it. In fact, three exclamation points don’t seem like enough. I might add some more later.

Oh! Right, aside from being a sort of grindhouse zen koan, Nazi Werewolf Zombie Inferno is a 176-page graphic novel by long-time collaborators Karl Jull and Chris Bradshaw. I’ve only seen three pages, but it sounds like the sort of thing I’d devour in a weekend, probably while listening to Rob Zombie’s last three albums on repeat. Hidden Nazi gold, cannon-fodder mercenaries, undead werewolves and a guest appearance by the corpse of Josef Mengele? I hope Chillsauce is  taking notes for the next iteration of their werewolf hunting event.

Given that I haven’t read it and don’t have a copy yet, my only complaint for now has to be that the book doesn’t seem that easy to buy – I can only find it on Amazon US and Amazon UK, and it seems like the sort of thing that needs to be a $5 PDF on Gumroad. I’m also a little concerned that the “processed photos” style of art won’t hold up in scenes that aren’t mostly shadow, but Karl Jull has a background in three artistic disciplines concerned with light and contrast – painting, photography and filmmaking – so I’m betting he’s got the chops to make it work.

You can find more about Nazi Werewolf Zombie Inferno on the project’s web site, and here are three pages of lycanthropic action courtesy of Karl.

68-1 50-3 37-7

 

Help pick new werewolf films for Craig J. Clark to watch & review

DavidNot a full moon has passed since August 2011 without a new Full Moon Feature appearing on Werewolf News. Craig J. Clark‘s authoritative posts on the successes and failures of werewolves in cinema have been an honour to host and a pleasure to read, and if, like me, your every synapse craves more, we need your help. Recently, Craig wrote to me to say that while he’d like to continue writing Full Moon Features, “..I’m starting to run low on werewolf movies that I haven’t seen. (My count is up in the mid-80s at this point.) Have you ever gotten any through the site that you think I might want to have a look at?”

I thought I had, Craig, but as it turns out, most of them never actually made it to production. Silver Bullet might be good, though – who doesn’t love Gary Busey? – and maybe Wolfen, too. I’d like to get some reader input as well. Below is a list of werewolf movies that Craig has seen. Those for which he’s written Full Moon Features are italicized. Can you, dear Werewolf News Reader, think of any that Craig hasn’t seen but ought to? Are there any on the list that you’d like him to write about? Please share your recommendations and requests (and maybe a word of praise for a guy whose posting schedule has been more reliable than my own) in the comments section.

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Meet killer librarian Alexis LaPierre in “Wolf-Girls”

"Alexis" by viergacht

Last year I was lucky enough to have a short story I wrote included in the Hic Dragones anthology Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny, edited by Hannah Kate. “The Librarian”, which was the first piece of fiction I’d written in years, and which is also my first published work ever, is a short look at the changing fortunes of Alexis LaPierre (depicted above in full “please return your books on time” mode by the talented and generous Viergacht). Alexis becomes a werewolf at a young age and under tragic circumstances, and as she grows up, she finds that hedonistic escapism might not be the healthiest lifestyle for her (to say nothing of her victims). Here’s an excerpt:

Killing the pilot annihilated my delusions of animal nobility. I was no longer hunting solely for sustenance. People were food, but they were also a wonderful source of pleasure.

Given proper motivation, humans are capable of astounding cunning and endurance. I once stalked a man for nine hours along the shore of Lac La Ronge, breathing his fear and determination like the bouquet of an exotic wine. When he finally stood his ground, he had enough stamina left to break three of my fingers. His flesh was stringy, but I have enjoyed few meals more.

I was gone for eight years, ten months and twenty-three days. In that time I twice traversed the space between the Gulf of St. Lawrence and the Pacific Ocean, devouring campers, hikers, forestry workers and runaways. I don’t know how many people I’ve killed. If that seems strange, ask yourself how many cigarettes you smoked last year, or how many times you’ve masturbated. Some forms of self-indulgence aren’t quantifiable.

I had seceded from humanity, but I couldn’t maintain my isolation forever. Needled by an inexplicable desire for human contact that didn’t end in violent death, I would shed my feral form and hitchhike along the Trans-Canada Highway, gravitating to the nearest city.

These pilgrimages were always novel at first. Despite my separation from the world of people, I blended in – another hollow-eyed young woman with a donation-bin wardrobe no particular place to be. By day I wandered, transfixed and over-stimulated by the prismatic textures flowing from the city and its people. At night I ate transients, prostitutes or security guards, then slept in dingy motel rooms paid for with money taken from their bodies.

This would last a week or two, and then one morning I would wake choking on panic and loathing. The subsequent flight from the city – half-naked sprints across municipal golf courses and forest-edged subdivisions – was always punctuated with oaths to never return.

Months would pass, sometimes as much as a year, before the desire found me again, but it always did – a distant voice echoing among the trees, calling for a girl who went camping with her family and never came back.

If you’re interested in reading more of The Librarian, plus 16 tales by other authors whose contributions make me feel exceedingly lucky to be included, you can obtain a copy of Wolf-Girls from the following places:

Thanks to Hannah Kate and Hic Dragones to having me, Tandye for tolerating me while I was writing the story, Viergacht for illustrating Alexis, and you, the Werewolf News visitor, for reading my blog and indulging this not-entirely-shameless self-promotion.

Animatronic dilating werewolf eyes from “Wolf”

California special effects company studioADI is responsible for a lot of great creature effects, including some of those seen in the 1994 Jack Nicholson “pissin’ on your shoes” werewolf film Wolf. In this video, which was recently shared on their rapidly-expanding YouTube channel, ADI co-founder Tom Woodruff Jr. explains the development of the animatronic dilating eyes used in close-ups of Jack Nicholson’s final wolfed-out form.

I don’t know which I enjoy more – the impressive demonstration of practical special effects, or the sight of the wolf’s eyes going wall-eyed batshit as it fake-gnaws on that guy’s arm at the end of the video. You can see more of studioADI’s great work on their YouTube channel, their web site, or in the greatest film of 1990: Tremors, starring Kevin Bacon.

Scream Factory reveals cover art for “The Howling” collector’s edition

Did you know that “retro pop culture label” Shout! Factory (of aborted Werewolf series DVD fame) has a line of cult horror / sci-fi releases under the “Scream Factory” banner? I didn’t, until Wednesday, when I saw this Daily Dead post about an upcoming Scream Factory release: a DVD / Blue-ray collector’s edition of “The Howling”, featuring brand new cover art from Nathan Thomas Milliner. From Scream Factory’s Facebook page:

The Howling - Collector's Edition cover art

Artist Nathan Thomas Milliner (who designed our key art for The Burning, Halloween III and several others) wows us again with his werewolf-filled and ferocious interpretation of 1981’s THE HOWLING which is coming soon to DVD & Blu-ray this Summer. We even showed this to Director Joe Dante who said “Wow! Cool! I’d go see that picture!”

More details on THE HOWLING (specific release date, etc.) will be coming soon in March. Stay tuned!

What do you think of Milliner’s cover art? Me, I’m feelin’ it.

Werewolves from space on Face Off’s “Howl at the Moon” episode

Face Off is a Syfy series that pits prosthetic makeup artists against each other in our society’s favourite form of gladiatorial combat: reality television. Here in Canada, Face Off runs on the Space channel, a channel I don’t have because it doesn’t air any of TV’s three reasons for existing (Breaking Bad, Community, hockey). But after several people on Twitter told me that Tuesday the 26th’s Face Off would be about werewolves, I made a note to dig around after the episode aired to see if I missed anything good.

On this episode, called “Howl at the Moon”, the teams (contestants? combatants? victims?) were told to create full-body werewolf suits. That task alone would be hard enough without any difficulty modifiers, given the time constraints in place, but this being reality TV, of course there was a twist: the werewolves couldn’t be from Earth, but instead had to be from any other planet in our solar system that has a moon. (The space nerd in me is delighted at the fact that four of those planets don’t even have solid surfaces on which werewolves could stand.) Here’s the promo video:

And here, after what looks like the requisite out-of-context hissy fits and fabricated melodrama, are the results:

Face Off Space Werewolves

None of them are what I would call “classic werewolves”, but then, that wasn’t the point, was it? To me, all four are identifiable as werewolves and aliens, and I think they look terrific, especially considering the conditions under which they were designed and built.

Here’s the episode recap on Syfy’s “Face Off” site (complete with a streaming version of the episode for those of you in the United States), and here, courtesy of Cinema Makeup School‘s Twitter and Instagram feeds, are some photos of the winning design by @waynesworldfx and @krisfxkobzina. Good work, guys!

Blue Werewolf 2 Blue Werewolf 1


This looked like an interesting episode, but I don’t think I’ll be paying the extra $10 / month it’ll cost to get Space added to my cable package. Nevertheless, it’s great to see werewolves and prosthetics makeup artists getting this kind of exposure.

Did you see the episode? What did you think?