Category: Film, Television & Music

Believe it or not, there are werewolf movies other than “An American Werewolf in London”.

Wicked Oliver Reed “Curse of the Werewolf” life-sized wall hanger from Black Heart

Black Heart Enterprises is a group of artists, sculptors and horror/sci-fi/fantasy fans who specialize in creating “accurately detailed resin kits, busts of horror, classic science fiction and fantasy characters”. They’ve produced a number of 1:1 wall-hangers inspired by the characters and creatures that haunt those genres, and one only has to look at their gallery to see they’re serious about bringing all the care, craftsmanship and detail of fine art to the task of modeling these monsters.

Black Heart’s George Stephenson got in touch with me recently about their 1:1 life-sized scale wall-hanger of Oliver Reed from The Curse of the Werewolf, sculpted by Joe Simon. I was immediately impressed by the balance of expression and detail– I don’t think I’ve seen Leon Corledo look more dangerous!

The kit is 1:1 scale and is just under 15″ from the top of the head to the fur just below his neck. There’s no assembly involved, as it’s molded and cast in one piece, and it comes with a 2-page, full-color profile and a short essay entitled A Century of Cinematic Lycanthropy.

George was kind enough to answer a couple of questions:

Why was this particular werewolf chosen (other than Oliver Reed being awesome)?

1) It was time to add a werewolf to Black Heart’s line and Lon Chaney has been done a hundred times, some done very well, and at least a couple in 1:1 scale.  COTW is one of my two favorites of lycanthropic cinema, the other being Werewolf of London.  I considered doing the Henry Hull werewolf but I am concerned about how well WOL will sell.  I love Jack Pierce’s WOL makeup design as much as Roy Ashton’s COTW design (maybe even a bit more) but I try to be conscious of marketability and COTW has broader appeal than WOL.  We also wanted to do a kit that would appeal to the Hammer Films fans. We WILL do WOL down the road; I have to have one on my wall.

2) COTW has been done a number of times as a resin kit, and done very well by some of the best sculptors in our niche of the hobby market, two of whom I know well and have worked with on past projects when I owned GEOmetric Design.  But it had not been done as a 1:1 scale sculpture that would be widely available as a resin kit.  I believed that Joe Simon, with whom I’ve worked since our GEOmetric days, would be challenged and motivated to outdo the other sculptors and I believed he could capture the intensity and fury in Oliver Reed’s expression like no one else has.

3) Yes, Oliver Reed was awesome in the film.  I saw the film on TV as a child in the late 60s and it scared the heck out of me; no other werewolf film had ever done that.  There was a depth to the story and the characters that made it more real for me, I guess.

What sort of material did Joe Simon use for reference when he was doing the sculpt?

I scoured the www for reference photos and found a number of them that gave us most of the angles that we needed for sculpting accuracy.  But there is one famous still from the jail cell scene that was the look I wanted for our kit.  That was Joe’s guide… and he nailed it. [He] has been sculpting for about 15 years and he feels this is his best work yet.  I agree.

The kit is regularly $175.00 but has currently marked down to $140.00. If I was at all competent in the art of model painting I would snatch one of these up right away (and probably a Predator too) – Black Heart tends to produce 100 of each kit before retiring it. Go check it out, and have a look at Black Heart’s other kits too.

Joe Dante Brings Werewolf & Vampire Teen Romance “Monster Love” To Party, Also Brings PS2 & Vanilla Coke

Shock Till You Drop brings us the discouraging news that The Howling director Joe Dante is trapped in 2003: he’s starting preproduction for Monster Love, a horror-comedy film that chronicles a forbidden romance between “a werewolf and a vampire [who] fall in love, igniting a war between their respective communities. It’s ROMEO AND JULIET with fangs”. Experiencing déjà vu? Hang on, it’s about to get worse. Here’s a bit of the synopsis:

After PETE, a young dogwalker, gets dumped by his girlfriend, his slacker buddies convince him to run naked through the city park. As the moon rises, the boys laugh, howl, and transform… Later, a distraught young woman named MAGGIE is contemplating suicide when she’s surprised by an enormous wolf. She snarls, baring her vampire fangs. The wolf grins and barks: Let’s play!

This has got to be a mistake or a joke, right? Werewolf-vampire romance is not interesting anymore, if it ever was. Underworld made it (sort of) sexy, Twilight killed it and Jason FriedbergAaron Seltzer defiled the corpse with Vampires Suck. I just can’t imagine how Monster Love is going to do anything new with this paper-thin concept.

Gore is Boring, Yak Hair is Awesome! NYT Interviews “Wolfman” Makeup Artist Rick Baker

Oh boy, it’s Oscar time, and if you’re  a blogger for a major media outlet and you haven’t got something to blog about, you’re fired. The Carpetbagger‘s Melena Ryzik is no slouch– last week she posted an interview with Oscar nominee and Werewolf News perennial favourite Rick Baker. There are no earth-shattering revelations, but it’s a good read nevertheless, especially if you’re interested in the ways crepe, human and yak hair can be combined to wolf out one’s face and body, even the relatively hairless Benicio Del Toro.

“There was a lot of handling of hair, where we actually have a lot of loose hair that’s glued on the actor’s face. It’s almost a lost art in the makeup field, but it’s something that I perfected because of my love of Wolfman.”

I was also pleased to read about Baker’s disdain for Hollywood’s current love affair with buckets-of-blood horror filmmaking.

“I’m not a fan of slasher movies, of what a modern horror movie is,” he said. “I’m not a big fan of ‘let’s see how we can kill the people in the most graphic ways.’ Zombie gore doesn’t bother me, but when it’s just somebody killing another human being in a graphic way, I’m not a fan of that.” … The gory stuff is really easy to do, and I found that out as a kid… the gory stuff doesn’t impress me.”

Amen! Give us realistic monsters to be afraid of, not boring deranged humans. Read the full interview here.

Werewolf-gangs-as-poetry novel “Sharp Teeth” to become a film directed by Danny Boyle?

According to the BBC’s Anglophenia blog, one of my favourite werewolf novels is coming to the big screen! Oscar-nominated writer Simon Beaufoy is currently in the process of writing a screenplay version of Toby Barlow’s debut novel Sharp Teeth, which might then be directed by Danny Boyle. “If I write it well enough,” says Beaufoy, “he’ll direct it.”

Boyle is an interesting choice of director for this story (which isn’t exactly as life-affirming as his previous films), but I think he can pull it off. Sharp Teeth‘s feral werewolf packs would do very well being channeled through the grubby, manic energy of Trainspotting, and Boyle sure knows how to establish and maintain a constant “oh no, what next” sort of tension, which the book contains in abundance. There’s a lot of crucial dialog shared non-verbally between werewolves, though, and I’m not sure how that will survive the transition to the screen. I hope we get a chance to find out!

If you haven’t read the book yet, you’re missing out– it’s a true original and one of the weirdest things (in a good way) I’ve ever read. Amazon’s got the hardcover for less than nine bucks, which is less than you’ll pay to see the film.

Hat tip: ArcLight

Making a Monster Movie? You Need The United Monster Talent Agency

Even if you don’t recognize his name, you’ve probably seen Greg Nicotero‘s handiwork. He helped form KNB Efx Group in the 80’s and his creature & gore special effects have been seen in films like Cursed, Splice, Grindhouse, The Mist, Predators and most recently, AMC’s The Walking Dead. Werewolf News reader Viergacht sent me a link to an awesome little short film Nicotero directed last October: The United Monster Talent Agency.

“What if classic monster weren’t special effects but real, (sort-of) trained critters?” writes Viergacht. “A short by special fx artist Greg Nicotero… which includes an out-of-control Wolf Man tearing up the set and getting shot with a tranq!” Watch it below, and keep an eye out for cameos by Eli Roth, Robert Rodriguez and Frank Darabont.

That’s an industry I could work in! If you’re interested in reading about how Nicotero put this together, Shock Till You Drop interviewed him in October– it’s worth a read!

Low-Budget Werewolf Western “Man Without a Saddle” Could Use Your Help

Actor / director / screenwriter Ron Ford has a ranch, some horses, horror-filmmaking experience and a hankering to combine the sweet chocolate of the Western film genre with the smooth peanutty goodness of werewolves. Chew on this:

MAN WITHOUT A SADDLE is based on Kipling’s classic story, Mark of the Beast, transferred from colonial India to the American west of 1870. Three ex-Army regulars, Strickland, Fleete and Barton, are hired to convince a Shoshone shaman to move on to the reservation. The shaman, Tanupah, guards a stone petroglyph, sacred to his people. Fleete, in a drunken fit, urinates on the petroglyph and dishonors its spirit. In retaliation, he is cursed by Tanupah, turning him into a raging creature, half man, half wolf.

This project has everything it needs to get off the ground except one crucial ingredient: $3,000 for authentic Western period costumes. To help raise that modest sum, Ford has put together a Kickstarter page with a thorough overview of the project, including a frankly endearing video appeal that contains 1) cowboy hats, 2) werewolf makeup effects by actor / makeup man Mitch Tiner and 3) nearly two minutes of blackness at the end that should probably be removed.

If you want to help out, you can pledge as little as a dollar to be listed in the film’s credits, or $20 to receive a DVD copy of the finished film. If you’re not familiar with Kickstarter, just know that by “backing” the project, you commit to having your pledge amount charged to your credit card on April 18th 2011 only if the total pledges reach the $3,000 goal.

Crowdsourcing stuff like this is one of the many things that make the Internet awesome (maybe So Falls the Shadow should try this approach out), so if you have an extra buck, you could do worse things with it than pledge it to a Werewolf Cowboy Hat fund.

Werewolf Cowboy Hat-tip: ArcLight

Rick Baker & Dave Elsey’s “Wolfman” Makeup Nominated for an Academy Award

The Academy of Motion Picture Arts and Sciences has announced the nominees for the 83rd Academy Awards, and I’m supremely pleased to see Rick Baker and Dave Elsey nominated in the Makeup category for their work on “The Wolfman“. They’re up against “Barney’s Version” and “The Way Back“, both of which I will glibly dismiss as contenders for this category because I haven’t seen them, and because come on it’s The Wolfman! This is Baker’s second Oscar nomination for werewolf makeup effects – he won the first Academy Award for Makeup in 1982 for his groundbreaking work on “An American Werewolf in London“. You can watch Baker and Elsey collect their hardware (and hopefully see The Social Network sweep everything else) on Sunday, February 27th.

Here’s a gallery of Baker and Elsey doing the work they were nominated for: transforming Benicio del Toro into the eponymous lycanthrope.

Second Trailer for “Little Red Riding Hood” Reduces the Twilight Influence, Increases The Gary Oldman Factor

Werewolf News reader B. Dorr mentioned in a recent comment that a second trailer for the new Little Red Riding Hood film had been released, and that this version “has taken that ‘Twilight’ sense out of it that we’ve noted in the first trailer.” The first trailer was packed with all the extra dreamy lighting and dramatic hair director Catherine Hardwicke had left over from her earlier endeavor, but I will admit that this second cut makes the film look a little less like a mom-fest. Of course, now it just looks like a confused mess. The Nine Inch Nails remix in the background doesn’t really sit well with the period-piece setting, does it? And until Amanda Seyfried says something about going to Grandmother’s house, I’d actually forgotten that this was supposed to be a re-telling of the classic European story we all know from childhood. Leave it to Gary Oldman to save the day– his voiceover throughout the trailer is bad-ass.

Still not feeling this one, friends, although I’d love for it to surprise me. What do you think?

First photo of the eponymous werewolf from “Big Bad”

1313FX’s Tom Devlin recently had a brief chat with Dread Central (you guys! always getting the exclusives!) about his creature work on the upcoming upcoming horror/dark comedy film “Big Bad”. There’s also a longer, rather interesting discussion with producer Rick Moore about the film’s story (three kids locked in an abandoned prison overnight are stalked by something sinister), its production ethos (Monster SquadThe Goonies and Gremlins are mentioned) and the production’s approach to the creature effects:

“You read a lot about some filmmakers who don’t like CGI and want to do everything old school and also those who swear by the freedom that computer-assisted effects give you. We are actually firmly in the middle. We knew from the beginning we wanted a detailed, scary monster on set – one that could emote and perform everything written in the script. 1313FX and Brad Bishop completely delivered on this front. For some more complex scenes we may duplicate parts of the monster or enhance a set in order to achieve a certain shot that would have been too difficult or expensive under our time and budget restraints.”

The Dread Central article is accompanied by a number of in-progress makeup photos and an image of the film’s poster, but the one photo I think you’ll be most interested in doesn’t seem to be there anymore, despite Horror-Movies.ca posting it and crediting Dread Central as the source. Weird. Anyway, the photo I’m referring to is of the werewolf creature effects. Check it out below.

I’m not going to lie to you, Marge. I like it. There are definitely some things I would do differently with the creature design (somebody get this werewolf some Dream Cream), but damn if he isn’t rather scary. And check those abs!

Read the Dread Central article or visit the official “Big Bad” Facebook page for more info.

Hat tip: ArcLight

Lucía, Luis & The Wolf – Nightmarish stop-motion shorts from Chile’s Diluvio

Viergacht sent me links to these videos earlier in the month, and I only got around to watching them this morning. They’ve been with me all day. I can’t explain them, other than to say they freak out the part of my brain that makes it so I can’t play Silent Hill games.

Lucía (2007) by Cristóbal León, Joaquin Cociña, Niles Atallah
Lucía is the 1st short video of the series “Lucía, Luis y el lobo” (“Lucía, Luis and the Wolf”). The video was shot frame by frame with a digital photo camera. Materials: charcoal, dirt, flowers, found objects and cardboard.

Luis (2008) by Cristóbal León, Joaquin Cociña, Niles Atallah
Luis is the 2nd short video of the series “Lucía, Luis y el lobo” (”Lucía, Luis and the Wolf”), it is a follow-up to the short video Lucía. The video was shot frame by frame with a digital photo camera. Materials: charcoal, dirt, flowers, found objects and cardboard.

These are the work of Diluvio, a film production company in Santiago, Chile.