Category: Crowdsourced Projects
A. Quinton — Feb. 5th 2018
Want to help bring a new werewolf web series to life? Starting today and running through Friday the 9th, werewolf fans can visit the Storyhive campaign page for “Timber” to cast one vote per day (no registration required). Those votes will comprise a large part of the decision-making process that will award 15 projects $50,000 each to fund a full series.
“Timber” is being pitched as “Lumberjacks Vs Werewolves” by its creative team. Here’s the synopsis:
In 1920’s Canada a doctor visits her estranged brother while he is working at a lumber camp. When she gets there she is shocked to learn that the lumberjacks are hiding the dark secret that werewolves are real, and she must discover who is and isn’t infected before it’s too late.
I’m writing this post on the 4th, before the big push for votes starts, and there’s already a ton of video and production stills on Timber’s Storyhive page and Facebook page. Watch the pilot episode below!
I asked Peter Kominek, one of the experienced filmmakers behind the project, about their plans for the werewolf design. I’m always interested to hear how the werewolf for a given project is going to be built, and here’s what he wrote me:
Our werewolf is going to walk on all fours, it is going to be a ferocious beast/hell hound rather than a wolfman type werewolf. Our intention is to make it hairy, and if possible have the face be completely hairy/flocked, unlike a lot of other movies. We are going to have arm extensions and make an animatronic head. There will probably also be a separate puppet head for maximum chomping. Our instagram has a couple sketches from our designer up on it, and there is also a short video about the history of our project.
“Maximum chomping”. Those two words alone are worth the 10 seconds it’ll take you to cast a vote.
Update 12:27: this post previously incorrectly stated that Timber was in the running for a $10k prize to fund a pilot; in fact, it has already won that prize and is now in the final phase of the competition.
A. Quinton — Nov. 13th 2017
I’m very excited about this Kickstarter campaign for Typecast, an 8-episode horror-comedy web series from creators Ben Paddon (PortsCenter, Boomer’s Day Off) and Werewolf New friend Mac Beauvais (Hit Girl, The Gloaming) about a trio of monsters tired of being boxed into unfulfilling careers.
An ambitious web series to be sure, we decided to take the struggling/disenfranchised actor trope and turn it on its head by imagining a world where all the creepy crawlies you’ve ever seen on the screen were played by actual monsters. If you need the elevator pitch (that’s Hollywood-speak for please compare your stuff to other people’s stuff), it’s a bit of Being Human meets Extras.
We’ve written a first season arc consisting of 8 episodes, all aiming to be around 6-10 minutes in length, telling the story of these actors and their journey. We want to deliver the best quality possible, and that requires great locations, crew, catering and, of course, some truly monstrous makeup.
They’re looking to raise $52,000 to pay for the production (including copious practical makeup effects by Michael Spatola) and they’re well on their way, with $4,615 as of this post and 28 days to go. Rewards include thanks in the credits, HD downloads of the episodes, Full Moon Flakes / “Moony the Werewolf” cereal box art and fan club merch (including perfume!), and even a chance to be made up as a monstrous extra.
Here’s the pitch video, which starts off with a proof-of-concept mini-episode featuring a fantastic, profanity-laced on-set freak-out from werewolf Abby (played wonderfully by Beauvais).
I’m hyped about this project – it’s got a great cast and crew from top to bottom and I want very much for it to succeed, so check it out!
A. Quinton — Oct. 27th 2017
Here’s a Kickstarter project that I think is well worth the help it needs to reach its goal.
[Mordeō is] An original illustration artbook dedicated to vampires and werewolves. A total of 36 artists had the opportunity to depict such creatures in different ways, from historical and classic examples to more modern interpretations of the species. The book will be 6 x 9 in in size, 50+ full colour pages in total, printed in a hardcover bound book and stamped with gold foil in the front.
With five days to go and $5,000 CAD raised so far, I think this book is still very much in the “feasible” zone. Pledge a buck if you can spare it and you like the idea, or pledge more to get a copy of the book, original art, some postcards, patches, and beautiful glow-in-the-dark enamel pins. You can also follow the project’s development (and maybe get in on some give-aways) on the Mordeō Twitter account and Tumblr site.
Here’s a list of the artists involved:
Andy Lee / annerdraws / arurelius / Asundances / CINAMONCUNE / Daniela Viçoso / DOXOlove / Erion Makuo / Eva Lynch / Faye / Fiend / Grace Zhu / Hanna Schroy / hawberries / JAUNE / JuHi / Karehng / Kel / Kiyami Omotayo / KLsloth / Lane / Margo Sikes / Mell / Milo Johnston / Mric / Noble Demons / P-RO / phi / POP / Rauviel / Ronnie G / sangcoon / Stephanie Escalona Morales / Tabita / Wrathes / Xaien
And here’s a mockup of the book cover and a look at some of the extras, including those gorgeous pins.
A. Quinton — Jul. 18th 2017
There’s nothing I despise more than a tiny-ass art book. Ink all piled up on the middle of minuscule pages like pepper on a playing card because you don’t respect the art? Get your small format reproductions away from me. I don’t want to see it. Get me a nice big tome like this new Thicker Than Blood art book from FPG.
Thicker Than Blood is a three-issue comic series written by Simon Reed, with pencils by Mike Ploog and paints by Simon Bisley. For an overview of the story and an assessment of why the series is considered a stand-out effort, may I direct you to this Werewolf News review from 2011. Suffice it to say that what grabbed most folks’ attention was the art, which is what this new book depicts, at its original size and in a variety of states.
This will be a large hardcover book that measures 12” x 17”. We will take full advantage of this format by reproducing Mike’s graphic pen and ink pages on the left-hand page and Simon’s richly painted artwork on the right-hand page. So, each and every cover and interior page can be compared and enjoyed in both mediums; one right next to the other!
This is a Kickstarter project but it’s already 200% funded with over a month to go on the campaign, so chipping in at this point is essentially a pre-order. Every pledge tier – ranging from $10 to $175 – gets you a copy of the book, so if you’re an interested party, your only quandary is just how fancy you want to be.
Thanks to Doruk Golcu for the link, and apologies to the Internet in general for the following – my first and last foray into the world of Drake memes.
A. Quinton — Jun. 7th 2017
Werewolf depictions fall on a spectrum ranging from “murder monster” to “fluffy friend”. I tend to prefer the former, but every now and then something comes along – a children’s book or a plush toy – that makes me say “aw, how sweet”, followed by “aw, shit, I definitely have to post about this”.
Kel McDonald and Molly Muldoon are co-editing an anthology of “cute or goofy” werewolf stories (predominantly or maybe exclusively in comic format) called Can I Pet Your Werewolf? It’ll be available as a PDF and as a physical book, funded by a Kickstarter campaign that’s currently on pace to be 100% funded in less than two weeks.
Can I Pet Your Werewolf? is a light-hearted anthology featuring tales of friendship, family, and romance shared between those who get hairy under a full moon. Just because they have sharp teeth and claws doesn’t mean they have to be a monster out for blood. It is organized by Kel McDonald (Sorcery 101 and Misfits of Avalon) and co-edited by Kel McDonald and Molly Muldoon.
It contains 160 black and white pages of stories by Alina Pete, Aud Koch, Kendra Wells, Mariah McCourt, Aliz Fernández, Meredith McClaren, Monica Gallagher, Rashad Doucet, Rhiannon Rasmussen-Silverstein, Cat Farris, Seanan McGuire, Caitlin Like, Shauna Grant, Sophie Goldstein, and Zach Lehner. Stretch goals include radical concepts like “paying our contributors more”, plus goodies for you in the form of art prints by additional artists like Abby Howard and Nina Matsumoto.
One of the backer reward levels includes a print by Melanie Ujimori and I really hope it’s the “werewolf pile” cover art she did. It takes a lot to make me post a “tfw” or “this is me” tweet, but folks, this is me.
Indie werewolf horror comic “WereWolf Run” shows why putting “werewolf attack” on your auto insurance is a good idea
A. Quinton — Jun. 5th 2017
WereWolf Run is a four-issue indie horror comic written and drawn by Daniel Leister, an artist who’s turned his dream of a self-created “good and bloody werewolf story” into 100 pages of werewolf horror, gunfire and lovingly-rendered entrails.
As a comic book artist for the past 10 years, I’ve worked on such books as Hack/Slash, Army of Darkness vs. Hack/Ash, the Wonderland series, and the recently funded Lord of Gore. WereWolf Run isn’t the first comic book that I’ve done, but it is the first comic that I’ve completely written and illustrated myself.
Last year Leister ran a successful Kickstarter campaign to help fund the title’s production, with the primary reward being print and digital copies of the completed graphic novel. Production is a little behind schedule, (owing to the happy arrival of a second child and a colourist who acquired a day job) but I don’t think that’s a big problem. Lots of solo or small-staffed Kickstarter projects miss their deadlines, but as long as communication’s good and the backer community is kept informed, the end result is usually worth the wait. Judging by the steady stream of updates and art he’s posting on the campaign update page and Twitter, Leister’s working his ass off.
I’ve read the first issue and it reminds me of something Stephen King would’ve written in the early 1980s. Sometimes bad things happen to people for no reason, or through a series of coincidences, or because a government transport truck does a Mario Kart banana peel wipeout on the body of a (disturbingly graphic) injured deer. The werewolf doesn’t make an appearance in that issue, but from the sketches and additional pages Leister’s shared, I can tell I’m really going to like the design.
So where can you get WereWolf Run if you missed the Kickstarter?
- Head over here to read the first half (or so) of the first issue,
- visit Leister’s Patreon to get a PDF of the whole first issue for free (no money required), plus lots of behind-the-scene sketches and ongoing updates as pages are finished (money required, but come on, it’s two dollars), or
- pre-order the completed graphic novel and forget about it until the whole thing arrives in your inbox (or mailbox).
A. Quinton — May. 3rd 2017
Bonehill Road is my newest film. It is an homage to classic monster films like The Howling and An American Werewolf In London. In some ways, it is a throwback to the films we grew up with… the real horror movies that we all love so much, and in another way it is a modern horror flick that uses old school techniques, including Practical Monster Effects. NO CGI at all here. Our goal is to make an exciting, scary monster movie with some really cool werewolves. Every dime will be put into the monsters. This whole campaign is ALL about the werewolves. We have our base Budget and distribution is already in place, we just need extra funds for our creature effects. If we are lucky enough to go OVER the budget listed here, we will use every dime for more effects and production costs. No salaries are ever taken by me, the director. EVERY dime will be put on screen, so the more money we have, the better. This budget listed was our BARE MINIMUM for extra creature stuff. But if we go OVER what was listed, that is simply amazing and it will mean MORE Monsters, MORE special effects, MORE stunts… a bigger and better movie!!!!!
This project has generated a lot of interest from Werewolf News readers and grindhouse horror fans in general. I can definitely see the appeal of practical creature effects, and there’s no doubt that Sheets has made his bones in the world of low-budget monster movies, but I don’t know if this project is for me.
They’re leaning heavily into the practical effects, which the campaign updates say are being handled by GDS-Fx. The GDS-Fx Facebook page has lots of photos showing the two masks that have been created so far, and they look appropriately grotesque. Curiously, the campaign also shows (uncredited) photos of pre-made werewolf suits, including a $1,700 Midnight Studios FX werewolf suit with the caption “this is one of the Werewolf suits we will be getting with YOUR help!!!” They obviously want as many werewolves as possible in the film, which, hell yeah, but it seems strange to have them all look so different.
Then there’s the fact that they’re leading off with unlicensed Narnia concept art, there’s no plot summary or story cues mentioned anywhere, and they’re making a character’s non-humanity (“a very cool TRANSFORMATION scene of a WOMAN into a Werewolf!!!”) a stretch goal. The whole concept seems a little… unfinished.
Nevertheless, I’m all for more werewolf movies, and I wish Sheets and his crew all the best.
A. Quinton — Jan. 30th 2017
There are three days left to help nudge the Indiegogo campaign for Concept Media‘s indie werewolf movie “Betsy” across the finish line. Written by Shawn Burkett (who also directs) and Ayse Howard, the film boasts a great visual identity, a solid cast, and a… well, not a stunning plot, based on the synopsis, but you never know.
The story follows a young woman “Betsy/Kelci C. Magel” who survived a violent attack while leaving work [according to an older synopsis she’s an escort – AQ]. After a month Betsy has relocated to a new town with her friend “Kayte/Marylee Osborne”.
A new town. New friends. A fresh start. However, as the full moon gets closer something begins clawing it’s way into her new life.
The film’s core budget was covered by a prior crowdfunding effort; this campaign is looking to raise an extra $1,000 to help pay for better costumes, practical effects and cast/crew expenses. As of this post, they’ve raised $878. They’re not asking for a lot, and they plan to shoot in late February and get it into festivals by May, so they’re not wasting time, either. Check out the campaign and the Betsy Facebook page for more info.
Thanks to Michael P and Somnilux for the links!
A. Quinton — Dec. 19th 2016
Chloe Borders’s Autumn 2016 werewolf plush Kickstarter wasn’t successful, but both Chloe and I have faith in this excellent boy, and he will return! Chloe’s bringing him back with a new Kickstarter campaign in Spring 2017, timed to line up with tax return season and increased cash flow from potential backers. The new campaign will feature an updated prototype and additional rewards like enamel pins and these 3″ weather-proof stickers she just had made.
I was a giddy proponent of the original campaign and I know many Werewolf News readers were too. I’ll be posting about (and pledging to) the new campaign as soon as it launches, but if you’d like to get details from Chloe as they become available,
you can sign up for her werewolf plush mailing list.
Update: mailing list signups have has been disabled, but you can get the latest in the original campaign’s Update section, where Chloe continues to share new info.
A. Quinton — Oct. 13th 2016
This Kickstarter project is to fund a high-quality artist edition collection of the full color illustrations from Cycle of the Werewolf as a print set, along with a book collecting the Black and White illustrations and never-before printed concept and process sketches.
This campaign is less than two days old and it’s already raised over $45,000 against a $12,000 goal, with many of its limited quantity higher-tier rewards quickly on the way to being sold out. Those extra rewards include a 2017 calendar, a 1984 calendar(!), a t-shirt, and a special boxed set of prints featuring a real (inert) silver bullet and original hand-drawn Cycle of the Werewolf art from Bernie’s archives. Some images of the 2017 calendar reward and Bernie’s concept sketches are below.
The campaign ends on November 11th, and Nakatomi, Inc is optimistic that they can have backer rewards in the mail in time for those 2017 calendars to be hung on walls by January 1st.
I resisted the PCS Howling statue pre-order, but my financial restraint has crumbled. Cycle of the Werewolf stands with An American Werewolf in London and The Real Ghostbusters Now Comics #5 as a catalyst for a young AQ’s werewolf fandom. I simply can’t ignore the chance to own such high-quality editions of this artwork.
Thanks to Doruk G. for telling me about this!