Kindle & Shitty Werewolf Book Covers Get Equipped With: A New Asshole, Ripped Into Place By Roukas

One of the worst English papers I’ve ever graded stated that “technoligy makes people smarter.” I shit you not: That same paper went on to become a letter to President Obama, asking him to invent a device that would revolutionize the recycling process of cardboard and plastic. I know that Obama can MacGyverize anything, but this retardedness alone is a great argument to smash your laptop and become Robinson Caruso. However, even if Bill Gates himself had the self-analysis to blow up his HAL computer and churn Amish butter for the rest of his life, not even that would be enough to stop the inevitable tide of collective stupidity brought about by convenience-based technology. Sure, people don’t need technology to be stupid, but when shit like Kindle comes on the scene, I’d be naïve to think that people would use it to become less stupid and less pinky-raising pseudo-European. I don’t look at the Kindle phenomenon and think that it’ll cause a revival in reading. That would be like looking at a giant cucumber with cooking oil on the float of a gay pride parade, but saying “huh, I wonder what vegetarian recipe they’re advertising?” But what does this mean for shitty werewolf book covers? It means that Kindle is a technological Pandora’s Box that has ushered in a new era of shittiness for literary lycanthropy. That is because Kindle, not being dependent on traditional manufacturing demands, allows more stuff to be published, thus allowing more idiots to shit all over the English language. Lycanthropic literature has therefore become more Michael Bay than ever before.

The following are the most prominent pinnacles of lycanthropic literary retardedness that Kindle has unleashed on the world. And while Obama’s Macgyverness can’t alchemize these turds into gold, mine can.

Mated to a Wolf by Marisa Chernery

If by mated to a “wolf” you mean mated to a Facebook asshole, then yeah, Chernery, you nailed it. Let’s say that I was a conflicted and misunderstood Rastafarian with a propeller growing out of my head, and that I was in competition with a regular Rastafarian to win the heart of a beautiful woman. How the hell would I be more complex, mysterious and sexy than this other guy? If I was an emo asshole who could turn into a wolf, how would that sexify me more than being a regular old amaretto-sipping blogger who plays bass guitar and gets perfect grades while being 2 cool 4 school?

I’m not sure how to solve such mysteries, but I do know that contemporary readers of romances that involve supernatural creatures don’t even ask them. I’m also not sure why contemporary monster-makers have to make their monsters conform to everything that makes contemporary humanity worth yawning at. After all, I thought one of the reasons you’d have your heroine bang a monster to begin with would be to escape the suck-ass reality that readers ironically revel in. Hell, we’ve already seen this happen in Twilight (at least those of us who actually read some of the book or sat through the movie). I was able to make it through the book’s first fifty or so pages, and I regard that as more of an accomplishment than beating The Legend of Zelda without whoring myself out to the Nintendo Power strategy guide.

Janna’s Werewolf by Fawn Lowery

I think that one of my deepest character flaws is my inability to resist arousal when the thing that’s trying to turn me on is hot yet unintentionally retarded. I mean, the hot foreground characters here are basically lifted from a Victoria’s Secret catalog, but what’s up with the mummy with Warcraft-nerd hair? I can’t help but giggle while feeling a bit uncomfortable in my pants, especially after my third glass of sake. However, I doubt that was what Lowery intended my reaction to be as a reader.

And then there’s another problem. The book’s synopsis from amazon.com runs thus: “Janna Marlow doesn’t know anything about tennis-but she knows about men. And werewolves. She’s one. And tennis great Rick Sawyer has scented her. He’s a werewolf too. She wants an interview. He wants sex. They trade.”

I’ve never met an actual werewolf, but I think that if a werewolf ever became a tennis pro, then he would be a cross between Hannibal Lechter and John MacInroe. Not a computer-generated image of a dehydrated Rob Zombie lost in Ethiopia. Not a jacked Calvin Klein model that’s a cross between Timothy Dalton and Vanilla Ice. To prove this, I’ll re-write some of the book myself.

Janna’s Werewolf by Mike Roukas

“Through the mesh of the court’s net, Rick Sawyer eyed his opponent with feral concentration. The dark hair on his calf bristled as he tensed, and time slowed as his opponent (prey?) launched the shimmering green orb skyward and blasted it with a powerful serve. Fight or flight? No, Rick had never run from anything in his life, and damned if he would now.

“Like the tide dancing its war dance against its ancient Lunar master, Sawyer growled. He and his opponent smashed the ball back and forth across the net, Sawyer eyeing the verdant sphere like he eyed a far more important ball: the moon, every month when it waxed full . . . when he became his true self, when the beast within became the beast without, and then . . . . Rick could not contain himself any longer. With a feral cry he backhanded the green orb, smashing it over the net.

“The human on the other side, the pitiful human had lost touch with its primal roots; its reflexes could not catch the ball in time, and Sawyer joined the crowd’s roar with his own howl of victory that drowned out the announcer’s ‘15-0!’ that resounded throughout the stadium like the cry of an eagle.”

There. If you were able to actually read through that without cringing, then you have my congratulations, Jerry Bruckheimer.

Moonburn by Alisa Sheckley

“Hey Irwin, do you have any sunblock?”

“Why’s that, Simon?”

“I have to go outside for a while. My interwebs are running low, and I need to run to RadioShack to recharge them so I can get back on Warcraft.”

“Ok, but it’s nighttime out. Sunblock?”

“Yeah, I don’t want to get moonburn!”


Moon Illusion by Amy O’Connor

Taking a break from his busy schedule of building killer bike ramps in the woods and playing apple-baseball (basically, where you play baseball using apples instead of a baseball), 16 year-old Trevor Greco of Highland Lakes, New Jersey has agreed to write this book-cover review.

Lol you see how the guy’s pec looks like a mini-boob? LOL!!! Lol nice I realy want to be a werewolf more then a vampire now because werewolves look like plastic dolls and the guy has a boob. People say I look like Edward a bit at least in some light, like an Italian Edward maybe (my familys Italian). At least Twilight vampire didn’t have that (the Boob Illusion I mean, lol), and its like you couldn’t hire actors to do this and had to use your computer? Lol yeah Ive seen turds with more life, like im so turned on. I mean I jacked it to Mistique in XMen and she’s animated by computer but that dosent count. Take THAT if you thought I was gay from the pic’s pink background. So if you thought I was gay cuz the pink background than FUCK YOU, I had that pic taken for my gf. She wanted it taken so she could see me when I rang on her iPhone so I had it done for her. Anyway these people on the cover SUCK, and like oh the author just slapped a wolf in the corner, it’s like when everything fails just google images search for national geographic wolfs and oh I’ll swoon like that girl YEAH RIGHT. And theres a lot more celtic-gay wrong with this pic, but the microwave went off and my Salisbury steak is rdy so i’ll write more about it in a bit.

Black Werewolf by Doctor T

Well my name be Dr. T, I’m not a licensed practitioner
But I’ll write lycanthropic hotness like shampoo vs. conditioner;
One cleans the hair, one makes it silky and smooth,
And like Young MC and Billy Madison I’m gonna bust a move so CHECK IT:

Werewolves always getting’ bit, howlin’ and talkin’ shit,
But this brotha’s silver lyrics always get my shorty WORKIN’ IT WORKIN’ IT,
Oh snap son, looks like it’s ova fo da full moon,
And yo shaggy-ass hair need some Vidal Sassoon,

So come get served on tha mic, you ain’t no Peter Stumpp,
You just an east-side relic and a flea-bitten chump,
No more European east son, yo’ ass be in Detroit,
And when I cap yo furry ass, like Steve Irwin I say “roit!”

I said a Hotel, Motel, Holiday Inn,
If yo’ werewolf’s actin’, up, then you bring his friends!

Werewolf-gangs-as-poetry novel “Sharp Teeth” to become a film directed by Danny Boyle?

According to the BBC’s Anglophenia blog, one of my favourite werewolf novels is coming to the big screen! Oscar-nominated writer Simon Beaufoy is currently in the process of writing a screenplay version of Toby Barlow’s debut novel Sharp Teeth, which might then be directed by Danny Boyle. “If I write it well enough,” says Beaufoy, “he’ll direct it.”

Boyle is an interesting choice of director for this story (which isn’t exactly as life-affirming as his previous films), but I think he can pull it off. Sharp Teeth‘s feral werewolf packs would do very well being channeled through the grubby, manic energy of Trainspotting, and Boyle sure knows how to establish and maintain a constant “oh no, what next” sort of tension, which the book contains in abundance. There’s a lot of crucial dialog shared non-verbally between werewolves, though, and I’m not sure how that will survive the transition to the screen. I hope we get a chance to find out!

If you haven’t read the book yet, you’re missing out– it’s a true original and one of the weirdest things (in a good way) I’ve ever read. Amazon’s got the hardcover for less than nine bucks, which is less than you’ll pay to see the film.

Hat tip: ArcLight

Making a Monster Movie? You Need The United Monster Talent Agency

Even if you don’t recognize his name, you’ve probably seen Greg Nicotero‘s handiwork. He helped form KNB Efx Group in the 80’s and his creature & gore special effects have been seen in films like Cursed, Splice, Grindhouse, The Mist, Predators and most recently, AMC’s The Walking Dead. Werewolf News reader Viergacht sent me a link to an awesome little short film Nicotero directed last October: The United Monster Talent Agency.

“What if classic monster weren’t special effects but real, (sort-of) trained critters?” writes Viergacht. “A short by special fx artist Greg Nicotero… which includes an out-of-control Wolf Man tearing up the set and getting shot with a tranq!” Watch it below, and keep an eye out for cameos by Eli Roth, Robert Rodriguez and Frank Darabont.

That’s an industry I could work in! If you’re interested in reading about how Nicotero put this together, Shock Till You Drop interviewed him in October– it’s worth a read!

Low-Budget Werewolf Western “Man Without a Saddle” Could Use Your Help

Actor / director / screenwriter Ron Ford has a ranch, some horses, horror-filmmaking experience and a hankering to combine the sweet chocolate of the Western film genre with the smooth peanutty goodness of werewolves. Chew on this:

MAN WITHOUT A SADDLE is based on Kipling’s classic story, Mark of the Beast, transferred from colonial India to the American west of 1870. Three ex-Army regulars, Strickland, Fleete and Barton, are hired to convince a Shoshone shaman to move on to the reservation. The shaman, Tanupah, guards a stone petroglyph, sacred to his people. Fleete, in a drunken fit, urinates on the petroglyph and dishonors its spirit. In retaliation, he is cursed by Tanupah, turning him into a raging creature, half man, half wolf.

This project has everything it needs to get off the ground except one crucial ingredient: $3,000 for authentic Western period costumes. To help raise that modest sum, Ford has put together a Kickstarter page with a thorough overview of the project, including a frankly endearing video appeal that contains 1) cowboy hats, 2) werewolf makeup effects by actor / makeup man Mitch Tiner and 3) nearly two minutes of blackness at the end that should probably be removed.

If you want to help out, you can pledge as little as a dollar to be listed in the film’s credits, or $20 to receive a DVD copy of the finished film. If you’re not familiar with Kickstarter, just know that by “backing” the project, you commit to having your pledge amount charged to your credit card on April 18th 2011 only if the total pledges reach the $3,000 goal.

Crowdsourcing stuff like this is one of the many things that make the Internet awesome (maybe So Falls the Shadow should try this approach out), so if you have an extra buck, you could do worse things with it than pledge it to a Werewolf Cowboy Hat fund.

Werewolf Cowboy Hat-tip: ArcLight

“The Werewolf Cathedral” – A “Religion” for “Werewolves” or Opportunistic Bullshit?

A while back, Werewolf News reader Henry Collins sent me a link to The Werewolf Cathedral, a site purporting to be the home of “the world’s only International Werewolf Religion & Secret Society”. I’ve only just had a chance to check it out. As someone who runs a satirical web site for an international supernatural law enforcement agency I’m interested in the weird and amazing self-contained worlds these kinds of sites can describe. At a glance it’s clear the site takes itself very seriously– could this be a marketing effort for an upcoming game or movie? Maybe an elaborate construct forming part of the back-story for a role-playing game? A so-straight-faced-it’s-funny site selling a novelty item, like the SRA? Nope, nope and nope. It’s a site using a combination of Satanism, teenage wish fulfillment and quasi-New Age spirituality to sell $35 “memberships” to what the proprietor describes as “an occult church based on my own personal philosophy, ideas, and knowledge of the occult”.

I’m a fan of werewolves, and I’m also a pretty open-minded person, but this bugs the shit out of me and I can’t quite articulate why. Maybe it’s the way the site uses the werewolf as a method of making miserable teenagers feel empowered through escapism (“Have you ever felt that modern morals and ethics are anything but moral and ethical in relation to nature and how it really is?”). Maybe it’s the continued espousal of grab-bag magical thinking and faux-spirituality– a tiresome offshoot of werewolf fandom that’s still popular with people who are also fans of hippy-dippy bullshit. Or maybe it’s just the cult-like promise of enlightenment and inclusion in exchange for a modest payment. Or maybe it’s all of the above.

The Werewolf Cathedral is a large site with a lot of content– an obvious labour of love. But a love for what? Werewolves? Spiritual truth? Or power?

Rick Baker & Dave Elsey’s “Wolfman” Makeup Nominated for an Academy Award

The Academy of Motion Picture Arts and Sciences has announced the nominees for the 83rd Academy Awards, and I’m supremely pleased to see Rick Baker and Dave Elsey nominated in the Makeup category for their work on “The Wolfman“. They’re up against “Barney’s Version” and “The Way Back“, both of which I will glibly dismiss as contenders for this category because I haven’t seen them, and because come on it’s The Wolfman! This is Baker’s second Oscar nomination for werewolf makeup effects – he won the first Academy Award for Makeup in 1982 for his groundbreaking work on “An American Werewolf in London“. You can watch Baker and Elsey collect their hardware (and hopefully see The Social Network sweep everything else) on Sunday, February 27th.

Here’s a gallery of Baker and Elsey doing the work they were nominated for: transforming Benicio del Toro into the eponymous lycanthrope.

“Werewolf Haiku” Book Review

Hello everyone! My name is Macabri, and you’re reading this because I have been given the great honor of being added as a contributing writer to this site! I thought I would kick things off with a review of “Werewolf Haiku” by Ryan Mecum.

Werewolf Haiku

There is no really good way to sum up what this book is like. It’s funny, it’s wild, it’s gross, it’s disturbing and much more. I read this little beauty on a plane trip to Florida, and it was one of those books where you try to make sure no one is peeking over your shoulder. It’s pretty hard to explain why you’re reading a book whose contents are splattered with images of blood, matted hair and pig heads.

“Werewolf Haiku” follows the life of a mailman who has been bitten by a werewolf and has now become a werewolf himself. It is essentially a personal journal of his life after his lupine encounter, but told entirely in haikus. (That’s the five-seven-five syllable format you likely learned in school.) As you may have surmised, this is no sissy werewolf type of story. We’re talking puking, moonlight hunts and gallons of blood.

I’m still not sure how this book really makes me feel. At times I was positively nauseated (and I have a REALLY strong stomach). At other times I found myself giggling. How can you not laugh at a haiku that says:

If you think tacos
are hard for you to digest,
try passing chipmunks.

Pretty funny, right? At the same time, there is something so disturbingly honest about the descriptions in the book. Things are said that make sense, but that also make you wonder about the author and where some of the ideas came from. For example, there was this haiku:

When people eat corn
and spot them in their feces-
teeth are that way, too.

I get that, it makes sense, but it also goes over a line that rarely gets crossed even in horror literature. There are quite a number of squirm-worthy comments throughout the book.

If you have a weak stomach, this is not the book for you. I have a strong stomach, and I’m still not sure it was the book for me, either. Maybe I’ll give it another read sometime…but definitely not after I’ve just eaten.

I’ll give this book 3 out of 5 dead squirrels.

Second Trailer for “Little Red Riding Hood” Reduces the Twilight Influence, Increases The Gary Oldman Factor

Werewolf News reader B. Dorr mentioned in a recent comment that a second trailer for the new Little Red Riding Hood film had been released, and that this version “has taken that ‘Twilight’ sense out of it that we’ve noted in the first trailer.” The first trailer was packed with all the extra dreamy lighting and dramatic hair director Catherine Hardwicke had left over from her earlier endeavor, but I will admit that this second cut makes the film look a little less like a mom-fest. Of course, now it just looks like a confused mess. The Nine Inch Nails remix in the background doesn’t really sit well with the period-piece setting, does it? And until Amanda Seyfried says something about going to Grandmother’s house, I’d actually forgotten that this was supposed to be a re-telling of the classic European story we all know from childhood. Leave it to Gary Oldman to save the day– his voiceover throughout the trailer is bad-ass.

Still not feeling this one, friends, although I’d love for it to surprise me. What do you think?

Another Werewolf Shirt to Crave: “The Curse of the Care Were” by Winter

This werewolf shirt by Sean Husbands (aka Winter) is awesome in all the right ways, and it should be on your body. Especially if you were alive in the 1980s and are now vaugely terrified by old episodes of Care Bears. Forget the “Care Bear Stare”… “Care Were Limb-Tear” is the new way. Buy it on Threadless for $20 US, or get an art print for $25.

Hat tip: Macabri

First photo of the eponymous werewolf from “Big Bad”

1313FX’s Tom Devlin recently had a brief chat with Dread Central (you guys! always getting the exclusives!) about his creature work on the upcoming upcoming horror/dark comedy film “Big Bad”. There’s also a longer, rather interesting discussion with producer Rick Moore about the film’s story (three kids locked in an abandoned prison overnight are stalked by something sinister), its production ethos (Monster SquadThe Goonies and Gremlins are mentioned) and the production’s approach to the creature effects:

“You read a lot about some filmmakers who don’t like CGI and want to do everything old school and also those who swear by the freedom that computer-assisted effects give you. We are actually firmly in the middle. We knew from the beginning we wanted a detailed, scary monster on set – one that could emote and perform everything written in the script. 1313FX and Brad Bishop completely delivered on this front. For some more complex scenes we may duplicate parts of the monster or enhance a set in order to achieve a certain shot that would have been too difficult or expensive under our time and budget restraints.”

The Dread Central article is accompanied by a number of in-progress makeup photos and an image of the film’s poster, but the one photo I think you’ll be most interested in doesn’t seem to be there anymore, despite Horror-Movies.ca posting it and crediting Dread Central as the source. Weird. Anyway, the photo I’m referring to is of the werewolf creature effects. Check it out below.

I’m not going to lie to you, Marge. I like it. There are definitely some things I would do differently with the creature design (somebody get this werewolf some Dream Cream), but damn if he isn’t rather scary. And check those abs!

Read the Dread Central article or visit the official “Big Bad” Facebook page for more info.

Hat tip: ArcLight