Category: Special Effects & Props

The stuff that makes the claws, fur and fangs grow

Macabri Werewolf Photo Shoot

Through the magic of Facebook, I came across these great photos of Werewolf News reader / contributor / friend  Macabri. She was kind enough to let me post them here, and she had this to say about the shoot:

What I can tell you is that is was for a horror-themed group shoot that happened last year in San Diego. Each model was asked to dress up as some sort of monster, but since the coordinator already knew me, she asked me to be their werewolf. The makeup artist (Chrissy Lynn) is really good with blending sexy and scary and did the makeup from scratch that day with little to no planning. She always blows me away.

Great makeup, great photos, great concept! This looks like it was a lot of fun– I wonder if stuff like this happens in Vancouver? Thanks for sharing, Macabri!


Makeup & Hair
Chrissy Lynn
Photography
1,2 – Fournier Film
3 – Dale Porter
4,5,6 – Jayde Wofford

Sweet “Wolfman” Prosthetic Arms & A Distressed-Looking Animatronic Werewolf

I saw @CreatureCompany mention this on Twitter this morning, and it definitely met my criteria for posting here (I clicked and said “whoah, that’s cool!”, which is all it really takes). Hollywood Movie Costumes and Props is a blog dedicated to exactly what you’d expect. This morning, its proprietor Jason posted a bunch of photos he took at a recent display of “Wolfman” props at Universal Studios Hollywood. If you’re into the movie or creature effects, I suggest you go have a look. Here are two photos I cribbed from Jason’s post:

Animatronic Werewolf Mask by Gadget FX

Gadget FX is a special effects company based in Spain, and buried deep within their dreadfully Flash-based web site is a page dedicated to the creation of a whole-head animatronic werewolf mask. There are some photos of the sculpt and build process, and an interesting video that shows the whole effort from start to finish. I like this design a lot, except for those ridiculously large ears. What is it with that? Anyway, nice work, Gadget FX!

Update: Werewolf News reader Foxdie found a direct link to the video on YouTube, so I’ve embedded it here.

Rick Baker, you’re all right! More from him about “The Wolfman” special effects

Are you tired of hearing about The Wolfman yet? I’m not! Here’s a recent Hero Complex column from the Los Angeles Times somewhat dramatically entitled “Rick Baker’s ‘Wolfman’ regrets: ‘I hoped it would bring back monster movies’“. Geoff Boucher asks Rick Baker five (actually rather interesting) questions about his work on The Wolfman, and Rick brings the answers in his usual candid way.

I don’t read his tone as regret, though… it’s more of a palms-up shrug, like “well, what can you do?” I think he got screwed over by bad management and a directionless production team, and I commend him for being so relaxed about it. Read the interview and tell me if I’m crazy.

Bonus: here’s a short featurette starring Rick. When it’s not busy looking like a trailer there are some neat shots of Rick applying and touching-up his werewolf work. The spritz bottle shot makes me laugh every time.

Hat-tip: ArcLight

Composite Effects Releases Another Insanely Realistic Mask: Lupus the Wolf


Composite Effects makes some of the most amazingly life-like monster masks and gloves I’ve ever seen (check out the videos on the product pages to see what I mean). They’ve just released a mask that’s got me checking the balance in my savings account: Lupus the Wolf is “perfect for howling at the full moon. A wolfman in the most animalistic form, the mask will turn you into a savage beast even on a moonless night.” I like the design, particularly the ears and the creases around the muzzle, although seeing a hairless werewolf is a little strange at first. I can understand not wanting to include hair or fur as a built-in part of a silicone mask, though. A shaggy wig would work well, and maybe it’s just me, but Lupus looks like he needs to be rocking some big muttonchop sideburns.

The mask is available in hand-painted brown or gray, and costs $500 US. If you think that’s steep, you didn’t look at any of the videos yet, did you. Did you. Composite Effects guys: if you make werewolf gloves to go with this mask, I’ll have no recourse. Hat tip: David Peters.

UPDATE: Wes from CFX emailed me with word that while they haven’t made gloves specifically to go with the Lupus mask, they can do an alternate paint job on the Orlock gloves that will match the werewolf mask. Yellow nails? Friends, I am sold.

Walk Like a Werewolf with Weta Legs

I think I’ve mentioned before that when it comes to werewolf anatomy, I’m strictly in the plantigrade corner. Digitigrade legs on an upright, seven-foot-tall creature just looks silly to me. I know an awesome thing when I see it, though, and thanks to submitter karsten I now know about Weta’s Wetalegs (careful, loud auto-playing video). For less than $1,000 US you can have your very own low-profile digitigrade leg stilts, which actually seems like a very reasonable price considering the mobility displayed by the subjects in the promo video.

What Big Ears You Have, Eddie Quist

If you’re a fan of “The Howling” and its starring werewolf Eddie Quist, check out this bust by Bill Weger of Time Slip Creations (original resin bust with sculpted hair) and Monte Ward (paint and hair) of Masks and Monsters. HorrorBid.com posted these photos and an account of how the bust came to be. I was never a fan of those rabbit ears, but this is pretty cool! Thanks for the link, ArcLight!

You Wish This Was You: Applying a Werewolf Facial Prosthetic

UK special effects & creature company Nimba Creations have posted a how-to video featuring the application, painting and fur-ing of their werewolf prosthetic. I don’t usually have the patience to sit through a 7-minute Youtube video, but this was quite interesting– it was possible to watch the model slowly transforming throughout the process. The laying of the hair (sounds like an arcane ritual, doesn’t it?) was particularly cool. Check it out, and if you fancy trying it yourself, you can buy the supplies directly from Nimba.

Down & Dirty Deluxe Werewolf Costume (and a Baby Werewolf Puppet)

The folks at The Horror Dome aren’t screwing around. Not only will they apply themselves diligently to ensure that your Nightmares Come True, they will also make sure you have your Halloween 2010 werewolf costume squared away by July. That’s when you can expect to receive your Big Bad Wolf (Studio Werewolf Costume) if you order now. I’m not going to lie to you: this werewolf might want to get his bilirubin levels checked, and he definitely needs to wash his face. But for $500, this setup looks pretty awesome. Those hands look great, and it’s nice to see some werewolf feet that don’t look like they belong to a hobbit in need of a pedicure.


They also sell a baby werewolf puppet. I’m going to say that again: a baby werewolf puppet. Look at this thing. I want one so I can take it to the playground with all the other responsible parents and pretend to bottle-feed it (because let’s face it, bottle-feeding is the only option with a kid like this).

Thanks to Russell for the links!

The Design, Tech, Execution & Politics of “The Wolfman” Transformation Scenes

Trusty Werewolf News friend ArcLight sent me a link to this fascinating CGSociety feature article about all of the CG work (and politics) that went into the transformation scenes featured in “The Wolfman“. The article includes extensive comments by Rick Baker (who, as you probably know, designed the Wolfman’s look and the practical makeup effects) and Adam Valdez (the Visual Effects Supervisor at Moving Picture Company, the group that did the CG work). Here are some choice excerpts:

Drawing on his years of experience and success to create a character he had loved since he was a boy, Baker requested “a couple of weeks to do some designs, a range between man and wolf. I did a number of Photoshop images and ZBrush sculptures ranging between Del Toro and a wolf. In other words, if man was one and wolf was ten, was the Wolfman a five, or perhaps an eight? Well upon viewing my designs they said it wasn’t anywhere in that range.” Baker was asked to do additional concepts showing steps within that range to narrow down the final design. This happened repeatedly until the point where Baker told them there simply wasn’t an in-between left.

Nothing like design-by-committee to ruin a project!

[Says Baker:] “I had a great time working with the folks at Digital Domain on the CG Benjamin Button character, I would have liked to have contributed the same way on this film.” One scene that he felt could have worked particularly well using animatronics and makeup was the scene where Del Toro is strapped to a chair surrounded by doctors, since the chair offered plenty of space to hide the hardware and it would have been easy to digitally remove any visible mechanics.”

That’s probably my favourite scene in the movie, and it blows my mind to imagine how much better it might have been if Baker had been able to work his magic.

Johnston wanted to see how the transitions would look in action, so animators were given rigs that could do rough deformation and transformation work. [Says Valdez:] “In the middle of that we had to start over, because Joe wasn’t happy with what he was getting. There were a few rounds of discussion about whether or not Benicio Del Toro, who played the Lawrence aka Wolfman, should turn into something else on the way to becoming the Wolfman, so rather than traditional close-ups of bones stretching and hair sprouting he might turn into something resembling an almost fetal orc-like creature.”

I wonder if that “orc-like” concept was used for the creature that appears in some of the movie’s dream / hallucination scenes.

There’s a ton of down-and-dirty CG modeling talk near the end of the article, so if Maya and ZBrush are your thing, you might want to get a napkin ready to mop up the drool. Now stop reading this post and read the article!