Animation Magazine has a bit on Paranormalia, an animated adventure comedy series about a werewolf boy who turns into a human during the day.
The series, set for 52 11-minute segments, is aimed at the 8-12 age range and tells the story of a timid boy werewolf named Hunter who becomes a hyperactive human during the daytime. He spends most of his time trying to find a cure for his strange condition while getting caught between his competing natures.
Paranormalia is presently in development, with no word on which network might run it, or when it might air. When I know, you’ll know!
According to Screen, Edge of Empires is going to be the first film in a Gladiators V Werewolves trilogy.
Edge of Empire is the first part of epic action trilogy Gladiators Vs Werewolves and is set in AD160 when Rome occupied Britain. It is a story about the discovery of a ferocious tribe of werewolves who are captured and made to fight against the gladiators of ancient Rome.
Icon Film Distribution has acquired UK and Australasian rights to distribute the film, and other territories have either been sewn up as well, or are on the way (no word on North America yet). Production on Edge of Empires starts later this year, and will feature make-up & creature effects by Shaune Harrison.
It looks like the werewolves in the Tom Felton / Isabella Calthorpe film 13 Hrs. are being designed by Lifecast, a family-run special effects / lifecasting / creature costume studio just north of London. According to this post on the Lifecast site, the Lifecast crew were charged with “creating 3 werewolf costumes in 3 weeks….. from scratch”. Accompanying the post are several photos of Isabella Calthorpe sitting for her head / body cast, which Lifecast will then use to turn her into a “she wolf”. Presumably the other two werewolves mentioned are Felton and Simon McCorkindale. Hopefully we’ll see some completed werewolf effects soon– based on the other work Lifecast has done, they really know their stuff. Thanks to Dig at The Werewolf Café for the link!
Nadia from London’s Curzon Cinemas has alerted me to a midnight movie tribute to John Landis happening on June 26th:
CURZON MIDNIGHT MOVIES PRESENTS:
AN AMERICAN WEREWOLF IN LONDON
Fri 26th June 9:30pm Bar, 11:30pm Films. A tribute to John Landis – the man who brought you ‘The Blues Brothers’, ‘Animal House’ and Michael Jackson’s ‘Thriller’ video. Enjoy live music and a free cocktail in our themed ‘Slaughtered Lamb’ bar, before a special introduction to this ultimate cult classic on the big screen. Dress code: wolvish/nurse/backpacker. Tickets on sale now: £12/£9 members: 0871 7033 988 www.curzoncinemas.com
A midnight showing of American Werewolf In London in a theater that’s situated less than a quarter mile from the scene of the movie’s climax? Awesome!
Courtesy of NME, here’s the video for the latest Yeah Yeah Yeahs single, “Heads Will Roll”. I’m a YYY fan so I would have liked this video even if it didn’t feature a bad-ass horror-style werewolf with Michael Jackson moves, and the way the (prodigious amounts of) gore is handled during the video’s second half is dazzling and inspired. Nice intestines, guy!
Heads Will Roll is the second track on the new Yeah Yeah Yeahs record, It’s Blitz.
Tip to the entertainment industry: permit more exciting, beautiful re-releases like this one is shaping up to be, and you will induce people to use their credit cards instead of µTorrent or Transmission.
Thanks to Dread Central for obtaining this. One day I hope to be as cool and influential as you.
This is Longscar, created by Martin Rezard in zbrush and Photoshop. I found this posted on Creature Spot, a “gallery, a blog, and a spot for all creature fans to flock to.” Awesome site, awesome artwork and hopefully indicative of an awesome movie!
MTV Splash Page has posted a short interview with Ben Templesmith, writer, artist and creator of “werewolf prison romance” comic Welcome to Hoxford. Templesmith talks about what a Hoxford film would look like if he was calling the shots.
“Well if it were me — and let’s be clear it’s definitely not up to me — you’d need someone who can really play with visuals and would be willing to use a lot less CGI and a lot more prosthetics/puppetry,” said Templesmith of the type of director he’d like to see on the film.
“I was heavily influenced on the creature side by the bad critters from ‘The Dark Crystal’” he continued. “But the book is pretty dark with a little nasty humour thrown in, so if they can keep that tone, I’d be happy.”
He also mentions the names of a few actors he’s imagined in various Hoxford roles, including Vin Diesel, Winona Ryder and Lance Henrikson. Werewolf prosthetics and puppetry instead of CGI? Lance Henrikson? Here’s hoping Chris Columbus is paying attention!
I found a reference to a new werewolf movie in a tabloid site article about Gemma Atkinson. The article, which misspells the title as “13 Hours”, describes Atkinson’s role as “battling murderous werewolves dressed in a mini-skirt and high heels.” As much as I would love to see werewolves in miniskirts and high heels, I don’t think that’s what I was meant to take away from the article.
In any case, Gemma Atkinon really is starring in a horror film called 13 Hrs, along with Tom Felton (who you might have seen previously as Draco Malfoy in the Harry Potter films). Here’s a synopsis:
A full moon hangs in the night sky and lightning streaks across dark storm clouds. Sarah Tyler returns to her troubled family home in the isolated countryside, for a much put-off visit. As the storm rages on, Sarah, her family and friends shore up for the night, cut off from the outside world. But something comes out of the driving rain and darkness. Something that holds a dark secret so devastating that, in one night, it could wipe out the entire family.
Trapped, Sarah and her brothers and friends must use their heads as well as their physical strength to survive not only the thing that is hunting them down one by one – but their own entrapment as the besieged group turns in on itself. Can they survive the horror stalking them? Or is their enemy already amongst them and has it always been? Can they survive for 13 hours?
According to the production company’s web site, 13 Hrs was meant to show at Cannes this year, but in this IndieFlicks interview director Jonathan Glendening talks about skipping Cannes to focus on editing, polishing and FX:
Fortunately, I’m not having to rush it for Cannes, so to some extent we can take our time.I deliver my directors cut tomorrow, which I think has taken about 7 weeks.So after a couple of producer tinkerings, that’ll take another few days.Then starts the sound, music, Fx process, and grading so those will take another couple of months.
Ah, the joys of post production. In the meantime, you can check out the teaser trailer here: