Books & Comics

Werewolves on the page, set in type and inked in panels

Bone pizzas for werewolves, The Prettiest Merman & more in Monster Dudes #2

  • March 18, 2013
  • posted by Andrew

Monster Dudes #2 is out. Monster Dudes #2 is out! It’s the comic by Dave Scheidt and Matt Fagan that’s so nice, I had to tell you twice. This issue is a little lighter on werewolf action than issue 1, but Scheidt’s writing is funnier than ever, and Fagan’s art turns wordless episodes like “Merman Goes Shopping” into vignettes that literally make me laugh out loud. Plus, this cover makes me grin like an idiot every time I see it – these guys are doing work that presses every “yes” button in my brain.

Monster Dudes 2

You can buy a physical copy for $5 or a digital download / PDF for $2, which will hopefully go towards the Scheidt / Fagan Pizza Fund. You can also follow Monster Dudes on Facebook for news and exclusive artwork.


Gritty werewolf murder mystery “Mongrel: S.O.B.” Kickstarter & graphic novel

  • March 15, 2013
  • posted by Andrew

Mongrel Mongrel: S.O.B. is a three-issue comic by artist Andrew Mitchell Kudelka and writer Edward Dunphy, who describes it as a gritty murder mystery, ”one part The Howling and one part CSI: Chicago, [that] pits a monstrous werewolf against a veteran Chicago detective.” The first two issues have already been produced, and you might even have them if you were at comic conventions like SDCC 2012,  C2E2 or DanCon. The last convention I went to was ECCC 2011, and the Internet’s a big place, so I didn’t know about Mongrel until Tah told me about it this morning, with characteristic brevity. The first two issues have garnered enthusiastic praise, and the werewolf action seems firmly based in the horror genre, which is why the Kickstarter campaign to fund the concluding issue and a graphic novel collecting all three is worth your attention.

The modest $3,500 goal will cover artist fees and production costs for the graphic novel, and the backer rewards span the tried-and-true range of swag, including shirts, artwork, posters, advertising space, and several chances to be drawn into the final issue (either as a speaking character or a werewolf victim). They’re less than a day into the campaign and it’s already halfway funded, so some of those stretch goals (the most exciting of which is a Mongrel resin sculpture) seem likely, too.

I want to reiterate that I haven’t read either of the existing issues, but the first page of the first issue (below) is enough to get my pledge. If you’d like to learn more, hit up the Mongrel web site, Twitter account (@mongrelcomic) or Facebook page, and if you like what you see, kick in a few bucks!

mongrel-1-1


Nazi Werewolf Zombie Inferno!!!

  • March 7, 2013
  • posted by Andrew

Nazi Werewolf Zombie InfernoNormally I try to make my post titles a little more articulate than this, but I can’t imagine the phrase “Nazi werewolf zombie inferno” being spoken aloud in anything less than giddy, slightly wall-eyed enthusiasm, so that’s how I’m writing it. In fact, three exclamation points don’t seem like enough. I might add some more later.

Oh! Right, aside from being a sort of grindhouse zen koan, Nazi Werewolf Zombie Inferno is a 176-page graphic novel by long-time collaborators Karl Jull and Chris Bradshaw. I’ve only seen three pages, but it sounds like the sort of thing I’d devour in a weekend, probably while listening to Rob Zombie’s last three albums on repeat. Hidden Nazi gold, cannon-fodder mercenaries, undead werewolves and a guest appearance by the corpse of Josef Mengele? I hope Chillsauce is  taking notes for the next iteration of their werewolf hunting event.

Given that I haven’t read it and don’t have a copy yet, my only complaint for now has to be that the book doesn’t seem that easy to buy – I can only find it on Amazon US and Amazon UK, and it seems like the sort of thing that needs to be a $5 PDF on Gumroad. I’m also a little concerned that the “processed photos” style of art won’t hold up in scenes that aren’t mostly shadow, but Karl Jull has a background in three artistic disciplines concerned with light and contrast – painting, photography and filmmaking – so I’m betting he’s got the chops to make it work.

You can find more about Nazi Werewolf Zombie Inferno on the project’s web site, and here are three pages of lycanthropic action courtesy of Karl.

68-1 50-3 37-7

 


Meet killer librarian Alexis LaPierre in “Wolf-Girls”

  • March 3, 2013
  • posted by Andrew

"Alexis" by viergacht

Last year I was lucky enough to have a short story I wrote included in the Hic Dragones anthology Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny, edited by Hannah Kate. ”The Librarian”, which was the first piece of fiction I’d written in years, and which is also my first published work ever, is a short look at the changing fortunes of Alexis LaPierre (depicted above in full “please return your books on time” mode by the talented and generous Viergacht). Alexis becomes a werewolf at a young age and under tragic circumstances, and as she grows up, she finds that hedonistic escapism might not be the healthiest lifestyle for her (to say nothing of her victims). Here’s an excerpt:

Killing the pilot annihilated my delusions of animal nobility. I was no longer hunting solely for sustenance. People were food, but they were also a wonderful source of pleasure.

Given proper motivation, humans are capable of astounding cunning and endurance. I once stalked a man for nine hours along the shore of Lac La Ronge, breathing his fear and determination like the bouquet of an exotic wine. When he finally stood his ground, he had enough stamina left to break three of my fingers. His flesh was stringy, but I have enjoyed few meals more.

I was gone for eight years, ten months and twenty-three days. In that time I twice traversed the space between the Gulf of St. Lawrence and the Pacific Ocean, devouring campers, hikers, forestry workers and runaways. I don’t know how many people I’ve killed. If that seems strange, ask yourself how many cigarettes you smoked last year, or how many times you’ve masturbated. Some forms of self-indulgence aren’t quantifiable.

I had seceded from humanity, but I couldn’t maintain my isolation forever. Needled by an inexplicable desire for human contact that didn’t end in violent death, I would shed my feral form and hitchhike along the Trans-Canada Highway, gravitating to the nearest city.

These pilgrimages were always novel at first. Despite my separation from the world of people, I blended in – another hollow-eyed young woman with a donation-bin wardrobe no particular place to be. By day I wandered, transfixed and over-stimulated by the prismatic textures flowing from the city and its people. At night I ate transients, prostitutes or security guards, then slept in dingy motel rooms paid for with money taken from their bodies.

This would last a week or two, and then one morning I would wake choking on panic and loathing. The subsequent flight from the city – half-naked sprints across municipal golf courses and forest-edged subdivisions – was always punctuated with oaths to never return.

Months would pass, sometimes as much as a year, before the desire found me again, but it always did – a distant voice echoing among the trees, calling for a girl who went camping with her family and never came back.

If you’re interested in reading more of The Librarian, plus 16 tales by other authors whose contributions make me feel exceedingly lucky to be included, you can obtain a copy of Wolf-Girls from the following places:

Thanks to Hannah Kate and Hic Dragones to having me, Tandye for tolerating me while I was writing the story, Viergacht for illustrating Alexis, and you, the Werewolf News visitor, for reading my blog and indulging this not-entirely-shameless self-promotion.


Ask yourself: isn’t it time you picked up Anathema #3?

  • January 16, 2013
  • posted by Andrew

Anathema issue 3I didn’t plan on going back to post about anything that happened during my Christmas Coma, but I’m willing to make an exception for Rachel Deering because she’s prone to violence and incredibly strong. Issue 3 of Rachel’s comic Anathema came out at the end of November, and now it’s time to divide you Werewolf News readers into three groups: a) those who don’t have it because they don’t know it’s out, b) those who already have it, and c) those who don’t have it because they think heartbroken-rage-fuelled werewolf revenge quests aren’t “cool”.

Those in the first group may remedy the situation by exchanging $1.99 for a PDF of this comic here, at Rachel’s online store. I have one of these PDFs and I have to tell you, two bucks is a good value for this many pixels arranged in such a pleasing configuration. I don’t read many comics digitally, but I feel like the image size in this one is like three times the size of the other officially-released comics PDFs I have. I re-read the comic on the train today and I was getting dirty looks about it from a lady who could see my screen from the other side of the car. I don’t know what her problem was – doesn’t everyone like a lesbian make-out scene?

To those in the second group, I say to you: well done! Let us reminisce in the comments or on Twitter about the streamlined writing from Deering, the terrific work by new artist Wes St. Claire, the time Gideon was all “get on my horse” and Mercy was all “okay but you’re riding Tuco-style“, or the throw-away comment “it’s fine. I could use the space.”

To those in the last group, I don’t know what you’re doing here. Did you get lost looking for this?


Malört Förlag’s scholarly & musical resurrection of Swedish werewolf folklore

  • January 15, 2013
  • posted by Andrew

Malört Förlag (Wormwood Publishing) is a Swedish publishing house “specializing in texts about the fantastic, the numinous and the aberrant”, and as if their area of focus didn’t sufficiently distinguish them from other niche publishers, for every book they publish, they also issue a soundtrack. Writer, editor and Malört Förlag co-founder Per Faxneld recently shared with me the details of a book they published this past summer – on the second full moon in August, to be precise – which scholarly werewolf fans will find interesting: “a definitive and luxurious edition” of Ella Odstedt’s 1943 study of Swedish werewolf folklore Varulven I Svensk Folktradition (The Werewolf in Swedish Folklore).

Varulven book

Odstedt’s book contains accounts of people who fell victim to spells that imprisoned them in wolf form, women who attempted magical remedies for the pain of childbirth and who were then punished with werewolf infants, and of practitioners of witchcraft who could voluntarily assume wolf form. This 416-page edition of ”Varulven” is limited to 777 copies and contains two appendices – essays by contemporary scholars, and reviews first published in response to the original edition. It comes with a dust jacket and bookmark ribbon, and contains original illustrations by Timo Ketola.

In keeping with their desire to release a soundtrack for each book they publish, Malört Förlag has also released “Werewolf Songs – Music Inspired by Swedish Folklore“, a digipak album + booklet containing 11 exclusive songs about werewolves. You can listen to a selection of songs from the CD here, courtesy of UK music magazine The Wire. The album is available to purchase by itself (English), or as an accompaniment to the book (Swedish / Google-translated English).

Werewolf Songs

My limited knowledge of Sweden is derived from Stieg Larsson’s books and a week spent with friends in Vetlanda in 1997, none of which gives me the experience (or more practically, the knowledge of Swedish language) to fully appreciate this book. Nevertheless,  as someone who loves literature, werewolf mythology, and finely-crafted objects, I have to acknowledge the fine work that Per Faxneld and his colleagues at Malört Förlag have undertaken to make Ella Odstedt’s work available in this way, particularly with such care and passion that they would commission an entire album of music to accompany it.


Trailer & Release Date for Netflix “Hemlock Grove” Miniseries

  • January 9, 2013
  • posted by Andrew

Hemlock Grove book coverThe 13-episode Netflix original series Hemlock Grove, based on the novel of the same name by Brian McGreevy, will premiere on April 19th. Eli Roth (who directed the first two Hostel films and swung a Nazi-seeking baseball bat in Inglourious Basterds) will executive produce, as well as handle directing duties for the pilot and the last two episodes. Above is the trailer (which my favourite media site AV Club carefully dissects), and here’s a synopsis from the Netflix press release:

The series revolves around the eccentric residents of a dilapidated former Pennsylvania steel town and the murder of 17-year-old Brooke Bluebell. Through the investigation, the town’s seamier side is exposed, revealing that nothing is what it seems.

I’m in the middle of reading the novel, so I’ll avoid editorializing or spoilers and just say that it has my favourite cover art of 2012.


“The Werewolf of NYC” Kickstarter perks are pretty sweet

  • January 7, 2013
  • posted by Andrew

Last November I posted about Edwin Vazquez’s Kickstarter project for his comic “The Werewolf of NYC“. I just got my rewards package in the mail, and I think it warrants sharing here because it’s a very generous array of high-quality swag: two copies of the comic, a limited-edition t-shirt, a tattoo flash page (designed by Jenai Chin), stickers, buttons, and a hand-written thank-you note containing a limited edition piece of art. If you want to get the comic, the sticker or the shirt (in non-limited black), you can visit the Werewolf of NYC shop.

Werewolf of NYC Kickstarter Swag

If every Kickstarted, Indiegogoed or otherwise crowdsourced project I backed resulted in stuff like this showing up at my office, I’d be broke in the time it took you to read this. Thanks, Edwin! I can’t wait to read about Albert’s troubles on the train ride home.


Dutch film “Alfie, the Little Werewolf” will eviscerate you with cuteness

  • January 6, 2013
  • posted by Andrew

“Alfie, the Little Werewolf” (Dolfje Weerwolfje) is a film based on a series of popular children’s books by Dutch author Paul Van Loon. It was in theatres in the Netherlands in November 2011, but it’s recently popped up at a few international film festivals (Toronto, Dubai). I think Tandye’s reaction after seeing the trailer speaks for us both: ”Oh my God, that is the cutest thing I ever saw.

Alfie has no idea what is happening to him when, on the night of his seventh birthday, he changes into a small, white, furry animal: a little wolf. By the light of the full moon, he runs through the park and the neighbours’ gardens, chasing chickens and ducks. The next morning, he wakes up as himself, an ordinary little boy. Now he starts to realise why he has always felt so different from his foster parents and his foster brother Timmie. He’s a werewolf. But sensitive little Alfie doesn’t want to be different. He just wants to be normal, like everybody else. He’s afraid his father and mother won’t want to have anything to do with him once they find out he is a werewolf. So Alfie wants to keep it a secret at any cost, but that’s not as easy as it seems. After all, there’s a full moon every month…

If your job is to acquire films for the North American market, come on. Come oonnnnnn. A cute little family-friendly werewolf kid with glasses (and a ton of merch)? You’ll be rich!


Issue 1 of Holt & Diotto’s “Southern Dog” bites in the right way

  • November 7, 2012
  • posted by Andrew

I just finished reading the first issue of Southern DogJeremy Holt and Alex Diotto‘s comic series about Alabamian werewolves and racism in the six months before the (first!) Presidential Inauguration of Barack Obama. My skin is crawling, and that’s a testament to Holt’s writing. His script doesn’t waste any time: within three pages we’ve got a battered werewolf, a gaggle of pointy white hoods and a truck full of rednecks. The pace slows considerably after that, but the atmosphere of menace and violence never dissipates.

Every review I’ve read of Southern Dog makes mention of Alex Diotto’s young age (and I guess this is one of them now, too). I sure don’t see anything inexperienced about his art, though – there’s a satisfying, workmanlike quality to his panel layouts, and while I’m not crazy about the “catty” design of his werewolf, it doesn’t detract from his skills with facial expressions and body language.

I enjoyed Southern Dog, and I’m grateful to Holt and Diotto for sharing the first issue with me. For a proper review by someone who actually knows comics, I’ll direct you to Michelle White at Multiversity Comics – her assessments of the issue’s ups and downs are similar to my own, and she’s got more Comix Credibility than I.

Southern Dog is published by 215 Ink. Issue 1 is available in their online store, and issue 2 will be out in early 2013.