A. Quinton — Jan. 11th 2017
Update 2017-01-19: multiple reliable sources are indicating that the host hotel, Ramada Portland, is cancelling the convention’s reservation due to lack of communication with the organizer. I’m calling it: HOWL CON is off. I’m not going to edit the optimism out of this post, but if you booked flights or made other travel arrangements that you can’t cancel, maybe start looking at other things you want to do in the area.
I’ve been an enthusiastic proponent of Portland-area werewolf convention HOWL CON. I was a presenter in 2015 and had the time of my life. I wanted to go again in 2016, but through a combination of bad luck and disorganization, the event was cancelled three weeks before the big weekend.
Now HOWL CON 2017 is less than a month away, and once again the event has no announced guests, no programming schedule, and no buzz or recent organizer activity of any kind. It hasn’t been marketed anywhere other than two fan sites – my site, and PDXwerewolf.com. Its web site disappeared in May 2016. Contributors to its Indiegogo crowdfunding effort have not received any communications since the campaign ended in September.
It’s reasonable to assume that HOWL CON is still happening. In November, organizers were reassuring worried would-be attendees that the show would go on. Apparently the space has been paid for, or at least a deposit placed. If you dig through their Facebook page you can still find links to buy passes and submit applications to be a dealer or a presenter. You can even book a cheap hotel room. And if you do show up at the Ramada Portland Airport Hotel on February 4th or 5th, there might be other werewolf fans there.
I won’t be among them. Given the complete mystery surrounding “what the actual convention is, or will be, or will have for us to do”, I can’t justify the time off work, or the travel, food and lodging expenses. If you go, may my $150 “Attending Patron” pledge to the Indiegogo campaign help fund your enjoyment – especially if you’re going because you learned about the event from me. If we had plans to meet, please accept my apologies. Maybe we can catch up at West Coast Haunters.
I don’t know what’s happened with HOWL CON. The organizers have been running a steampunk convention with ostensible success for seven years now, so they’re not incompetent and they’re not crooks. Are they too busy to run two conventions per year? Are there extenuating circumstances? It doesn’t matter. It’s not okay to run an event this way, and I won’t give HOWL CON the benefit of the doubt any more.
A. Quinton — Jan. 10th 2017
When someone mentions Captain America, the first thought that occurs to me is not “he’s been a werewolf at least twice“, and that’s coming from a person whose brain is calibrated to play “six degrees of lycanthropic separation” with all input. And yet in its 2016 Legends “Red Skull Build-a-Figure” group of action figures, Marvel has chosen to package its most patriotic Avenger with an alternate head depicting his “Capwolf” mode.
I thought it was strange that they would acknowledge such an obscure edge-case for a prominent character’s appearance until I saw that this is the 16th time Captain America has appeared as a Marvel Legends figure. I guess there’s only so many variants of costumes and battle damage you can pitch before you have to start searching the supernatural corners of a character’s history.
In addition to the werewolf head, this figure comes with Cap’s shield, two alternate hands (one for pointing and one for… dabbing?) and the cape for the Build-a-Figure Red Skull / Red Onslaught figure.
This figure has only been out for a few months, so comic shops and even big-box retailers should still have it. As usual, you can snag it on Amazon, too. Thank you to Somnilux and wereshere for the heads up!
A. Quinton — Jan. 9th 2017
Dances With Werewolves is a feature-length film made on a music video budget by a dedicated schlockmeister whose recent writing credits include titles like “Countess Dracula’s Orgy of Blood” and “The Mummy’s Kiss: 2nd Dynasty”. Its main selling point: it’s the last screen role of Angus Scrimm, the guy who played The Tall Man in Phantasm. I thought I kept my expectations sufficiently low going into the trailer, but they deployed that howl sound effect (you know the one) in the first three seconds, and things got worse from there. By the end I felt a lot like this promo photo of Scrimm.
If you want to watch this, cool, I guess: Bloody Disgusting says Santa Fe’s Jean Cocteau Cinema will screen it on January 27th. I’d rather watch this other film by the same name, though, if it ever gets out of development hell.
A. Quinton — Jan. 8th 2017
Issue 3 of indie werewolf comic Howl has just come out in physical and digital formats. The creators were kind enough to send me a review copy, which I consumed like a hot dog: with relish, and disappointment that there aren’t more.
Nearly halfway into its projected seven-issue run, Howl has firmly established itself as a showcase for writers Ryan Davidson & Eastin Deverna and artist Dan Buksa. The first two issues (which I discuss over here) are driven by action and an impending full moon. This issue is more of a police procedural, as we follow the authorities who are trying to make sense of (and find the culprit responsible for) the carnage wrought by series protagonist Jack Lowe. Jack’s wife Rebecca and high school student Laura make the big decisions in this issue, setting up potential consequences that they and their families will have to pay for in future issues.
For now, there’s a lot of cop-talk in front yards, Jack himself spends most of the issue passed out, and with the full moon done for another month there’s nary a werewolf to be seen. In the hands of less efficient writers, these plot points could lead to boring exposition and frustration as the cops try to figure out what the readers already know, but the great dialogue and believable rapport between characters keeps things lively and manages some subtle world-building (the best kind, in my opinion).
Buksa’s art has gotten a little cleaner and tighter in this issue, but it still has the organic, high-contrast pen-and-ink style that made the first two issues so distinctive and fun to look at. I don’t know what his process is, but I could believe he turns each page from a blank document into a finished, inked panel layout with no in-between steps or drafts. It’s confident, charismatic work, and I couldn’t imagine this series drawn any other way.
If you want to get into Howl, head over to the Howl store to get caught up on the series. Davidson, Deverna and Buksa are doing excellent work, and I encourage you to support them and share your comments on the Howl Facebook and Twitter accounts.
A. Quinton — Jan. 5th 2017
Sold me on the clip, that is. I still don’t want to see Blood Wars.
A. Quinton — Jan. 2nd 2017
New Orleans musician Birch “Buzz” MacKinlay used to think she was the only werewolf in the world. But that was before the mysterious and captivating Rowan welcomed her into his pack, and showed her that shapeshifters – all kinds of shapeshifters – were hiding in plain sight everywhere. Now Birch is on a crash course by day to learn everything she can about the secret “shifter” world, while gigging as a bass player at night. But there’s a problem with this dream come true: a dark and growing danger threatens the shifters, who are beginning to mysteriously disappear or die. Faced with hecklers, drunks, stalkers, and incompetent bandmates in one life and fang-toothed double agents in the other, Birch doesn’t know who to trust – especially now that she’s the target of a powerful enemy. With menace closing in fast, Birch must find a way to save her new pack… or lose everything that matters, including her own life.
The excerpt on Patterson’s web site piqued my interest. I kept wanting to think “this isn’t my thing” as I read – the rhythm of the prose is a little strange in places, and Birch’s werewolf form is literally “a large wolf”, which you all know isn’t really my thing. What hooked me, though, and kept me thinking about this book for the past few weeks, is how Patterson writes about music.
She’s an accomplished musician, and from the first paragraph of The Wild Harmonic it’s clear that her experiences performing (and being moved by) music form an integral and exuberant part of the narrative. I’m not crazy about urban fantasy or quadrupedal werewolves, but give me a story in which the author writes with enthusiasm about something she loves and does well, and you’ve got me on board.
A. Quinton — Dec. 28th 2016
For a little while, way back before many of you were born, comics’ premiere justice-dispenser Judge Dredd was both “the law” and “a werewolf” in a story arc called “Cry of the Werewolf”. Fast forward over three decades to March 2017: writer John McCrea and a handful of artists will use an IDW Deviations one-shot to explore what might have happened if Dredd had never been cured of lycanthropy.
From Comics Alliance:
In March, IDW is launching another five-week Deviations event, and it’s kicking off with a Judge Dredd story [“Howl of the Wolf!”] where the always amazing John McCrea asks what Mega City One would be like if its toughest lawman had never recovered from that time he was briefly a werewolf.
So what’s the provenance of this alternate-reality sequel’s story?
In 1983, writers John Wagner and Alan Grant, letterer Tom Frame and artist Steve Dillon turned Mega City One’s massively-chinned lawman into a lycanthrope for seven issues of 2000 AD. “Cry of the Werewolf” was regarded as one of the better “Dredd versus the supernatural” stories and it got the stand-alone collection treatment in 2012. Now, in light of Dillon’s recent passing and the imminent release of Judge Dredd: Deviations, IDW is also reprinting that original story along with some extras, for a good cause.
…IDW will be reprinting the original “Cry of the Werewolf” with a new version that serves as a tribute to Dillon, who passed away in October. In addition to the full story, IDW’s version will include a section of pinups from artists like Duncan Fegredo, PJ Holden, Jock, and more, and a portion of the proceeds will be donated in Dillon’s name to his favorite charity, the Hero Initiative.
Both comics will come out in March 2017 and will feature a ton of great werewolf art, like this post’s feature image, Ryan Brown’s variant cover for “Howl of the Werewolf”.
My exposure to Judge Dredd is limited to 2012’s Dredd, a film (and soundtrack) that I will never ever get tired of, but as with so many other things, add werewolves and you will get my attention and my dollars.
Thanks t0 KSFWerewolf for the link that sent me down this rabbit hole.
A. Quinton — Dec. 19th 2016
Chloe Borders’s Autumn 2016 werewolf plush Kickstarter wasn’t successful, but both Chloe and I have faith in this excellent boy, and he will return! Chloe’s bringing him back with a new Kickstarter campaign in Spring 2017, timed to line up with tax return season and increased cash flow from potential backers. The new campaign will feature an updated prototype and additional rewards like enamel pins and these 3″ weather-proof stickers she just had made.
I was a giddy proponent of the original campaign and I know many Werewolf News readers were too. I’ll be posting about (and pledging to) the new campaign as soon as it launches, but if you’d like to get details from Chloe as they become available,
you can sign up for her werewolf plush mailing list.
Update: mailing list signups have has been disabled, but you can get the latest in the original campaign’s Update section, where Chloe continues to share new info.
A. Quinton — Dec. 14th 2016
Space Goat Productions has just announced an officially licensed comic book and board game(!) based on The Howling werewolf film universe.
Not all of that colourful franchise is particularly worthy of adaptation or expansion, but don’t worry: the four-issue The Howling: Revenge of the Werewolf Queen will take place directly after the events of the first film. Given that title and the events of the second film, Howling II: Your Sister is a Werewolf, we might be in for some backstory on a certain powerful werewolf lady.
The comic series will be written by two-time New York Times best-selling author Micky Neilson, whose lycanthropic work you might already be familiar with: he wrote the Warcraft comic series Curse of the Worgen and the werewolf novel The Turning, previously mentioned here on Werewolf News.
The comic’s line art will be handled by veteran Jason Johnson, who says he’ll “bring this story to life like only a true werewolf connoisseur can”. If the teaser image accompanying this post is any indication, uh, yes, dude, I believe you will.
The Howling: Revenge of the Werewolf Queen comes out in Summer 2017. No details on the board game yet, but if it involves quoting lines from the film series, I’m gonna win every single round with this gem.
Keep an eye on Space Goat and the very web site you’re reading right now for more details.
Craig J. Clark — Dec. 12th 2016
As film historian Tom Weaver points out on his commentary, much of the werewolf mythology we take for granted today was codified in Curt Siodmak’s screenplay for The Wolf Man and further refined by the sequels that followed. Happily, Weaver’s informative commentary track is one of the many special features Universal ported over from its previous releases to the Complete Legacy Collection, which got a DVD release in 2014 and has been upgraded to Blu-ray just in time for the original’s 75th anniversary.
Since its general release on December 12, 1941, and home-video bow four decades later, The Wolf Man has been trotted out many times by Universal in multiple formats — VHS, laserdisc, DVD, Blu-ray. What makes the Complete Legacy Collection special is it collects the entire Lawrence Talbot saga in one set for the first time. If you bought the previous Legacy Collection released in 2004, all you got was The Wolf Man and its sequel, Frankenstein Meets the Wolf Man, plus 1935’s unrelated Werewolf of London and 1946’s worthless She-Wolf of London. If you wanted to find out what happened to Larry after he threw down with the Monster, you also had to get the Frankenstein Legacy Collection (for House of Frankenstein, which also came as part of a double feature with Frankenstein Meets the Wolf Man) and the Dracula one (for the otherwise unavailable House of Dracula). And that’s not even taking into account 1948’s Abbott and Costello Meet Frankenstein, for which Universal brought back all its heavy hitters from the undead.
The point is, in the DVD era you had to shell out for a lot of extraneous content if all you wanted to do was follow Lon Chaney, Jr. from first bite to monster-mash finale. Now there’s no need to jump through so many hoops and, with any luck, this Blu-ray release, which also comes with the Abbott and Costello title, will be definitive. And best of all, it isn’t sullied by the behind-the-scenes featurette on Stephen Sommers’s Van Helsing, which the initial trio of Legacy Collections were put out in tandem with. As much as Universal likes to repackage its horror classics, at least it knows well enough what to excise from later editions.