Category: Special Effects & Props
A. Quinton — Jul. 13th 2018
Everyone else in the world seems to be hyped about the World Cup, but for the past four days, the only football chatter I saw online was about was the new would-be mascot for Lobos BUAP, a team in Mexico’s Liga MX.
Photos and videos of this absolute lad started circulating on Twitter earlier this week. Without researching its provenance – I don’t know Spanish and I just assumed it was a cool Underworld Lycan / Dog Soldiers mashup costume someone wore to a convention – I tweeted a dumb quip and moved on. Then word started spreading on Twitter and in the media that this was actually a controversial new mascot for Lobas BUAP, whose previous mascot designs had been a bit more conventional.
I love this bit of editorializing from La Verdad [translated from Spanish]:
The primary objective of having a mascot is to capture the affinity of the little ones and to be able to interact with the fans in the stadiums, but the new Lobos BUAP team mascot has generated controversy due to its fear-giving aspect, having a height of almost two meters.
I can only speak for myself, but seeing a two-meter-tall werewolf roaming the crowd at a stadium when I was a little one would have made me a football fanatic for life.
News sources couldn’t pin down whether this horror-centric new design was a gimmick or a longer-term change established for the duration of Torneo Apertura 2018. That’s because the whole “new mascot” story was a misunderstanding that got blown out of proportion as football and pop culture sites repeated it. According to an article posted to Mileno today [translated from Spanish]:
The supposed werewolf mascot that went viral in social networks is nothing more than a project separate from the professional team, since its developers were only visiting the University Stadium.
The suit is actually a project by brothers Erick and Ivan Olarte, pictured above with their family. The latter is an architect who graduated from UAP, and he and his brother created the suit in their spare time for the sake of the challenge. The Olarte brothers have worn “Licaon” – as the suit is called – to a variety of events in the past few years, and while the media attention of the past week has been a wild experience, they are already setting their sites on their next project.
Disappointed? I am too, a little, but I also personally find “two brothers made a radical animatronic werewolf suit in their garage” a more exciting story than “football team tries to psych out its competitors by terrorizing fans”.
A. Quinton — Jun. 19th 2017
While at the West Coast Haunters convention last month we met Doug Schaefer, artist and one of the monster-makers at VFX Creates. I bought a Slaughtered Lamb sticker from him and we got to see a frenetic and very enjoyable demo of the wearable attack zombie puppet that VFX Creates makes.
They also make a werewolf attack puppet! Doug said they’re planning to replace it with a new model, and it looks like the single one they have left in stock is over 40% off. Edit: looks like someone snapped it up!
Here are the details:
The puppet comes with a harness and is light weight (around 12 lbs.) so it can be worn comfortably for long periods of time. The harness is disguised by a 2X black hoodie and a fake arm allows you to control the puppet while giving the illusion that your arm has been pinned to your chest by the hungry werewolf.
It was a pleasure to meet Doug and see him perform with “Sally”. I look forward to seeing the new werewolf he and VFX create.
A. Quinton — Jun. 1st 2017
Fresh off last week’s Star Wars werewolf / Shistavanen reprise, Rick Baker is back at it with the werewolf creature effects. Yesterday he posted this 2008 photo of himself as a werewolf, about to get strung up by the ladies he’s menacing (his wife and daughters). This scene was remarkable enough that it served as their family Christmas card that year, but let’s be honest – they’re probably doing stuff like this every weekend.
Baker didn’t share any details about the werewolf makeup’s provenance, but it has a very (Beauty and the) “Beast”-ly design that looks great in this fairy tale tableau. I also see a resemblance to the Wolfman design that would go on to win he and Dave Elsey the Academy Award for Best Makeup three years later.
It makes me inordinately happy that Rick Baker knows #WerewolfWednesday is a thing.
A. Quinton — May. 25th 2017
The Star Wars werewolf connection hinges entirely on special effects legend Rick Baker deciding to use some of his off-the-shelf creature masks during re-shoots of the Episode IV cantina scene in 1977. Among those masks was a werewolf Baker had created on his own in 1973. As with seemingly everyone else in that cantina, the werewolf extra gained an official name – Lak Sivrak – and an elaborate backstory full of intrigue, romance, tragedy, sacrifice, most of which was told through Star Wars comic books.
Then in 2012, Disney consigned everything about the character except his name and species to Legends, the phantom zone for all retroactively non-canonical Star Wars artifacts. And that was it for poor Lak until earlier this week, when Baker set about re-casting a new mask from that original 1973 mold.
He posted four photos of his work – which I’ve embedded below – on his Instagram feed. The quality of his design and work is astonishing, and consider that he did all of this in three days.
The hashtags and reminiscences in Baker’s comments make this seem like an observance of the film’s release anniversary – Star Wars hit theatres 40 years ago today –but it could also be a coincidence. Baker seems like the kind of person who’d resurrect a 43-year-old mold and then and pour, pull, paint, hair and trim a new mask on a lark – simply because he loves doing this sort of thing (and happens to be really, really, really fucking good at it).
May is the month of werewolf cakes! Check out this prize-winning “American Werewolf in London” creation
A. Quinton — May. 11th 2017
Werewolf News reader Jacob Bellingham shared a photo he took (and a link to a Dread Central article about) this prize-winning An American Werewolf In London-themed cake. Created by Karen Mitchell of Sugarlicious Cakes by Karen, it won a silver medal in the Decorative Exhibit category of the 2017 Cake International competition in London in April.
The level of detail on this thing is incredible, from the bloodwork to the details on the box. Check out the Sugarlicious photo gallery for more, including some close-ups.
Jacob’s family runs Little Brown Fairy Cake, who took home a Bronze in the same competition with the excellent Penguin cake pictured below. Despite looking like one of the least-tasty DC villains, it’s all edible, even the monocle. I told Jacob this in confidence but I think I’m a big enough person to admit it to the world, regardless of what it might do to my werewolf fan credibility: the David Kessler cake is impressive, but I kind of prefer the Penguin cake. What can I say? I like the prospect of eating Danny DeVito’s head, and of course, I didn’t have to travel to London to see (or eat) the best werewolf cake ever – it was right here in my kitchen in 2012.
A. Quinton — Mar. 15th 2017
I tend to reserve “catchin’ up on my sites” for the end of the day, but any time I spot a new Monster Legacy post – even when it’s not about werewolf creature effects – it immediately gets my full attention. This one is about a werewolf, though: Hogwarts professor and Harry Potter fan favourite Remus Lupin.
Lupin’s werewolf form in the film adaptation of Harry Potter and the Prisoner of Azkaban was controversial. Scrawny, sparsely-furred and almost rat-like, his transformed state in the film was neither what author J.K. Rowling described in the book (essentially a big wolf with some human traits) nor what most werewolf fans wanted to see (a shaggy, well-built human-wolf hybrid). This was a deliberate decision on the part of creature designer Wayne Barlowe, who channelled Rowling’s concept of “lycanthropy as sickness” into
a gangly, emaciated creature with distorted proportions… a hunched back, long and thin limbs, and a sickly, almost skeletal head.
The filmmakers were so committed to the concept that they built werewolf suits with stilts and limb extensions to use on set – practical effects that turned out to be anything but. Almost all of the clumsy suit shots were later replaced with CG effects that, while easier to work with, pushed the already-unconventional werewolf Lupin right down into the uncanny valley. A shame – I personally like the look of the practical suits, which seem to have more werewolf and less Gollum in the design.
Take a look at the full post on Monster Legacy for concept images, set photos, conceptual and practical details (including the reason why CG werewolf Lupin was put through an exercise regimen), and a reminder that Rowling wrote perhaps the most uninspiring depiction of a werewolf transformation ever.
A. Quinton — Mar. 9th 2017
Portland-area fans of NBC’s Grimm – which airs its final episodes this month – will want to gas up their cars, pack a lunch and gather up some rainy day cash. According to Portland Monthly, “a 40,000-square-foot warehouse stuffed with more than 120 episodes’ worth of Grimm props and paraphernalia will open its doors to the public” this weekend.
The announcement, which doesn’t actually mention the name of the locally filmed show (but c’mon, what else could it be?), promises “vintage furniture, antique furniture, mid-century modern furniture, clothes, costumes, household goods (new and vintage), doors, architectural items, signs, rugs, industrial lighting, lamps, books, smalls, primitives, collectibles, Christmas stuff (vintage and new), home furnishings, building materials, props, Halloween stuff, bicycles, hardware, kitchenware, chairs, apothecary, artwork, banners, restaurant ware, office supplies, costumes, tools, pallet shelving, retail store display stuff, frames, home decor, dining tables, benches, special effects items, linen, drapes, sports equipment, camping stuff, advertising, and so much more…”
The EstateSales.net listing has dozens of photos of the items that will be available. Much of it seems to be clothing and antiques, but I bet discerning fans will find plenty of props related to the show’s menagerie of werewolves, were-foxes, were-beavers, were-vultures and other Wesen.
Conspicuously absent from the listing is an address for the event. That will be announced tomorrow night:
The address for this sale in Portland, OR 97210 will be available after 7:00 PM on Friday, March 10th, 2017.
The sale will run from 9 to 5 on Saturday the 11th and Sunday the 12th, and 10 to 4 on Monday the 13th. Due to warehouse safety concerns (and possible rogue hexenbiest on the premises), no children under the age of 10 will be admitted.
Thanks to Violette B for the link.
A. Quinton — Feb. 21st 2017
The Stan Winston School of Character Arts recently put up a collection of behind-the-scenes photos and recollections from the crew responsible for building the titular monsters of The Monster Squad, including The Wolfman portrayed by Jonathan Gries.
“The challenge was to suggest those classic creatures, without really copying them,” explained [lead mummy builder] Shane Mahan, “because we didn’t have permission or the license to use those specific images. So we could do a ‘Gillman’, for example, but it couldn’t look too much like the Creature from the Black Lagoon. It was frustrating for us at first, because, of course, we wanted to do the original designs! But we couldn’t. We could only suggest those designs.”
This isn’t a Monster Legacy level essay, but there’s some neat stuff on display, including Stan Winston’s original sketch of the Wolfman. Yep, you can thank him for those super wide-set eyes.
A. Quinton — Aug. 25th 2016
I want to show the pain. I want him to be able to move around, he’s gonna pull his clothes off, we’re gonna see the whole body change — so figure out how to do that.
– John Landis describing the AWIL transformation to Rick Baker
John Landis’s An American Werewolf in London is 35 years old this week, and its showcase werewolf transformation scene is still regarded by werewolf fans as the best ever shown on film. Leave it to the invaluable and tireless minds of Monster Legacy to write a 4,000-word essay on the concept, design, planning and execution of that transformation scene, and then support that essay with an enormous photo gallery.
When you’re Rick Baker even your “unfinished sketch” of a werewolf makes fans like me lose their minds
A. Quinton — Apr. 12th 2016
Yesterday creature effects legend Rick Baker tweeted what he referred to as an “unfinished sketch” of a werewolf rendered in a style reminiscent of his 2010 Wolfman lycanthropes. Is this Larry Talbot posing with his own tombstone? I like dapper snarly werewolves and this fellow wrecked my damn shop.
Then today Rick followed the sketch up with a self-effacing note expressing surprise at the positive response it got. He “almost didn’t post it because it is so un dynamic”, he wrote.
The person who’s taken home two (2) Academy Awards for his Werewolf Work is sandbagging his own artwork online. The dude responsible for some of the most iconic werewolves of the past 35 years is surprised that fans like me want more. MORE! Your modesty becomes you, Rick, but come on – I could write an entire blog post about that gnarly badass clawed hand alone! RICK. You don’t elongate a palm like that by accident!
Rick’s tweets are embedded below. Follow him on Twitter at @TheRickBaker just in case he posts more of these “unfinished sketches” and you want to get your brain’s werewolf zone obliterated directly by the man himself.
1 of the unfinished sketches I have been working on.
Having fun using a pencil and paper. Haven't done that in ages pic.twitter.com/VW3xvpO78D
— Rick Baker (@TheRickBaker) April 12, 2016
Wow,I'm really surprised at the response ,my drawing is getting.I almost didn't post it because it is so un dynamic.I guess the details help
— Rick Baker (@TheRickBaker) April 12, 2016